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Reporting about outsider art is usually told from a third-person perspective, often ending up clinical, cold, and distant. This book’s first-person narrative skillfully avoids this, as the author’s discoveries about himself go hand-in-hand with discoveries about his uncle.
An introspective examination of the biographer’s craft that interrogates how a Marshall’s vocation has shaped her memories of the past. A writer’s memoir for those who enjoyed Colm Tóibín’s A Guest at the Feast.
Assured and succinct, Driskell articulates a personal philosophy of life that, while tending toward pessimism, might still envision “the thought that everything / will be okay wrestling down / the thought that it won’t.”