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Writing a balanced but heartfelt account that general readers will find riveting, Sheff characterizes Ono as a strong, brilliant, hard-working experimental artist and musician who battled racism and sexism in a largely solitary life.
This book should have broad appeal, thanks to its previously unsung World War II Resistance spy heroine and the rich details of her exploits, making it ideal for fans of espionage and strong narrative nonfiction that reads like a compelling novel.
Reporting about outsider art is usually told from a third-person perspective, often ending up clinical, cold, and distant. This book’s first-person narrative skillfully avoids this, as the author’s discoveries about himself go hand-in-hand with discoveries about his uncle.
Santopietro has amassed a large amount of research and interviews into a compelling and flowing narrative, while photos with fashion commentary by designer Banks enlighten the text.