Highly recommended for listeners interested in social justice and entertainment equity. Offer to those who have devoured Kantor and Twohey’s She Said or Ronan Farrow’s Catch and Kill.
The descriptions of Ratmansky’s style and working process are accessible to readers who have no extensive technical ballet vocabulary, but the book is still detailed enough to satisfy serious researchers. This thorough account of Ratmansky’s career is best suited for libraries that support in-depth dance scholarship.
With a stupendously long notes section, a more than 22-page index, chapters headed thesis-style, with the subjects covered therein, and street addresses of practically everywhere Reed went, this title is for mega-fans and those wishing they could’ve lived in New York when it was all going down.