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Miller’s debut is a sweeping historical romance and spy thriller rolled up into a novel highlighting a little-known aspect of World War II. For fans of the deep research of Amanda Barratt and the war-era romances of Sarah Sundin. Miller is definitely a rising star in the genre.
Destined to be a smash-hit rom-com similar to Toni Shiloh’s “Love in the Spotlight” series. In her fiction debut, Erlingsson’s (Milk & Honey in the Land of Fire & Ice) voice is warm, funny, faith-filled, and perfect for Hallmark movie lovers.
Readers interested in the hardscrabble mountain life, as depicted in Michelle Shocklee’s Appalachian Song and Lynn Austin’s Wonderland Creek, will want to add the latest from Gabhart (In the Shadow of the River) to their TBR lists.
Hauck (The Best Summer of Our Lives) pulls out all the stops in this heartwarming novel of perseverance and family, with her trademark dual-era nostalgia and mysterious, heaven-sent character. Her loyal fans will also appreciate nods to her “True Blue” series.
It is a rare page-turner that sets readers to wondering who they are and why they are here, and in a just world this skillful exploration of the human predicament via riveting fiction would earn Harris his own unique place in the canon, alongside Joseph Conrad, Ernest Hemingway, Iris Murdoch, and Graham Greene.
This isn’t as entertaining as Dalí’s gleefully self-mythologizing memoirs, but the outré decadence of his lone novel is not without its perverse delights, marking this out for cult status among devotees of Joris-Karl Huysmans and the Marquis de Sade.
Adopting yet subtly subverting the prevalent imperialist biases of their day, these popular tales offer a diverting glimpse of the cultural ferment and ambivalence of late colonial Bengal.