This is an unashamedly weird (but also funny) novel, but if readers can get beyond the morbid premise, there is much enjoyment to be had with Moore’s unique style, particularly the extended, loopy dialogue, replete with wordplay, song lyrics, conspiracy theories, literary and pop culture references. By its end, it becomes a moving tale of longing, grief, and acceptance.
A bold formal statement that’s both a continuation of Porter’s thematic interests and an artistic expansion; if it doesn’t quite rise to the level of his previous work, fans of the author and adventurous readers alike should still find plenty to chew on.
With vivid and realistic characterizations, Schulman (This Beautiful Life) has written a work of fiction that should be read and discussed widely. Part mystery, part thriller, and at its heart an examination of why and how women can treat each other so callously and despicably, it’s tough to set down. Ironically, it would make a tremendous movie.
All told, this is a quirky journey from White, recipient of the National Book Foundation’s Medal for Distinguished Contribution to American Letters, that will undoubtedly deliver to devotees as well as those new to the prolific author.
From those who sought to help the Adlers in Vienna to the bonds between Samuel and his wife, Selena and Anita, and Anita and her grandmother, there’s much love in a book whose poles are moments of great violence. Classic Allende enlarging her framework, as she did with A Long Petal of the Sea and Violeta.