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While Stourton steers dangerously close to overfilling the book with names and anecdotes, his brisk writing style and honest approach will win over readers. Ultimately this is a remarkable story about a bygone world, well told by an insider.
An engrossing encyclopedic study of the whos and whys behind what people wear. Will inspire readers to add classics to their wardrobe or rediscover the versatility of pieces they may have pushed to the back of their closet in favor of trendier pieces.
This is what art history books should be like. The well-written essays are crisp and laser-focused on subjects both esoteric and concrete. The illustrations and paintings are used skillfully. The scholarship has a modern perspective but carefully respects the historical time period when the artwork was created. Given the scale and scope of the Kunsthalle show, it’s possible that exhibitions like this, and books like this, will find the necessary cultural cohesion and financial means scarce in the future.
For readers curious about how museums work, this engaging new look at MoMA’s origins will whet appetites for further scholarship on these fascinating figures.
With its beautiful design and a wealth of accessible material, including 280 photographs, an introduction by Mamadou Diouf, and interviews with luminaries Samuel Fosso and Souleymane Cissé, this book is a valuable resource for contemporary art history collections and a must-read for those interested in African photography and film.