The 10th-anniversary edition of The Nightingale by patron favorite Kristin Hannah releases next week. The attempted-murder trial of the man accused of stabbing Salman Rushdie onstage in 2022 begins. AAP, IPA, and other groups release a joint statement on AI and copyright. Macmillan CEO Jon Yaged warns about the dangers of banning books. Plus, Thomas Ray’s novella Silencer will be adapted for the big screen.
We All Live Here by Jojo Moyes leads holds this week. Also getting buzz are titles by Anne Tyler, Brynne Weaver, B.K. Borison, James Patterson and James O. Born, and Heather Fawcett. People’s book of the week is Memorial Days: A Memoir by Geraldine Brooks. The March Indie Next preview is out, featuring #1 pick Wild Dark Shore by Charlotte McConaghy. Grove Atlantic will launch the new Atlantic Crime imprint this fall. Novelist Tom Robbins has died at the age of 92.
What is worse, these days celebrating the book might also be resented by those who owe allegiance to futuristic forms of digital reading or what one can call visual orality—the use of mixed media, rooted in TV and film technologies, to tell stories and convey information.
Penguin issues new “First Impressions” editions of Jane Austen with refreshed covers, meant to appeal to young readers, romance fans, and “the BookTok demographic.” The Waterstones Children’s Book Prize shortlist is revealed. Poets & Writers reflects on 20 years of its annual celebration of debut poets. Spotify adds audiobooks from Crooked Lane and Podium. Plus, Page to Screen and new novels from Ian McEwan and John Irving.
Preprints, or initial versions of scientific reports that researchers share before the formal peer review and publication process have been completed, have started to become more popular within academic circles—and now the Gates Foundation has changed its Open Access policy to require grant-funded research papers to appear as preprints before publication.
Although considerably smaller than ALA’s Midwinter and LibLearnX conferences of the past, there was a palpable sense of community and nostalgia around the last midwinter gathering.
The American Library Association (ALA) has filed an amicus brief on the U.S. Supreme Court case, Federal Communications Commission, et al., Petitioners v. Consumers’ Research, et al., which stands to decide the fate of federal programs supporting broadband access for half of the nation’s public libraries. The brief affirms both the constitutionality and the value of the Universal Service Fund and the programs it administers—particularly the E-Rate program, which helps power broadband-enabled services and access in U.S. public libraries and schools.
The winners of the UK PEN Translates Awards are announced. Notes to John, Joan Didion’s diary from 1999, will be published by Knopf. Literary organizations release a joint statement decrying the Trump administration’s anti-trans executive order. Plus, a new horror novel from Nick Medina, interviews with Sarah Chihaya, Elinor Lipman, and Alton Brown, and new title bestsellers.
The PEN/Faulkner Award for Fiction longlist is announced. LJ reveals the Best Media of 2024. Reese Witherspoon selects Isola by Allegra Goodman for her February book club. Jessica Soffer’s This Is a Love Story gets a four-star review from USA Today. LibraryReads and LJ offer read-alikes for top holds title Deep End by Ali Hazelwood. Forthcoming memoirs from Christie Brinkley, Debbie Gibson, and Christine Brown Woolley gather buzz. PEN America releases the Banned Books List 2025, while the Big Five U.S. publishers sue Idaho over book-removal language in House Bill (HB) 710.
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