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A terrifying debut, rendered with the intensity and skill of Scott Smith’s cult favorite The Ruins and touches of The Hunger by Alma Katsu and Echo by Thomas Olde Heuvelt. The novel announces Kiefer’s intentions to boldly begin her climb to the top of the genre.
Feder’s study is a readable, entertaining contemporary analysis that is suitable for students new to Austen’s work and for discussion groups looking for a fresh approach to many readers’ favorite novel.
Chapman (Ghost Eaters) is becoming a not-to-miss horror novelist. Suggest this one to a varied audience of fans who enjoy intense psychological tales like Paul Tremblay’s The Pallbearers Club, body horror like Ahmed Saadawi’s Frankenstein in Baghdad, and parental horror like Zoje Stage’s Baby Teeth; don’t forget fans of the pulp classic “Clickers” series, originated by J.F. Gonzalez.
This guide to an aesthetic popular among millennials, zillennials, and Gen Z is perfect for the community. Readers will come away with many new home environment ideas and a better understanding of how they feel about themselves.
With similarities to the horror movies Flatliners and Bodies Bodies Bodies, minus the humor, Chapman’s story comes to a head as readers begin to understand that Ghost has so much more of a morbid meaning in this enthralling addiction horror tale.
Benjamin’s humorous tone makes the dark subject matter more palatable; her book pairs well with Caitlin Doughty’s Smoke Gets in Your Eyes: And Other Lessons from the Crematory. Given the popularity of the “death-positive” movement, this title is recommended for any library’s nonfiction collection, especially where “Death Cafe” programming is offered.