Waters, S. K.

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PREMIUM

To Woo and To Wed

Waters’s “Regency Vows” series ends the way it started, with humorous escapades and passionate interludes. Readers can start with this title but will get a bigger payoff by beginning with To Have and To Hoax and tearing through the whole series.
PREMIUM

To Swoon and To Spar

The fake-haunting plot sounds like gothic romance, but Waters’s latest “Regency Vows” novel (which follows To Marry and To Meddle) is a romantic comedy through and through. Although the chemistry between Jane and Penvale lacks a certain spark, readers will still be pleased that Jane ultimately decides to make room for Penvale in both Trethwick Abbey and her heart.
PREMIUM

The Dead Won’t Tell

Listeners will be captivated by Abbie’s investigation, which reveals the layers of this murder and its impact on the members of a close-knit town. Waters’s compelling debut will be an easy sell not only to mystery readers but also to fans of history and true crime.
PREMIUM

Behind the Scenes

Recommended for libraries where feel-good, low-conflict contemporary romances are in demand.
PREMIUM

Liarmouth: A Feel-Bad Romance: A Novel

Waters’s hilariously filthy debut novel is recommended to all libraries; as Jo Goodwin has said, “A truly great library contains something in it to offend everyone.”
PREMIUM

The Dead Won’t Tell

Waters’s first novel is an engrossing mix of small-town lack of privacy, quirky friendships, feisty women, and several plot twists that truly do surprise Abbie as well as the reader.
PREMIUM

Liarmouth: A Feel-Bad Romance

This eminently farcical and jocular work reads like Planes, Trains and Automobiles meets, oddly enough, a John Waters movie; recommended for intrepid readers cognizant of satire.
PREMIUM

To Marry and To Meddle

Waters stays true to the humor and wit that characterize the series’ first two installments.
PREMIUM

To Love and To Loathe

Despite the premise, this is a decidedly slow-burn romance, with much of the story spent on Diana plotting to throw party guest Lady Helen at Jeremy in an attempt at misdirection and to win a bet. The lovely moments between Diana and Jeremy as they explore their growing attraction do not stand up to the book’s troubling treatment of the character of Lady Helen.
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