A proto-Afrofuturist potboiler poised between Black Panther and the works of Percival Everett, this fascinating glimpse beyond the Harlem Renaissance canon anticipates Black power and Afrocentrist themes.
In rough-hewn speech fluent as a river and forceful as a hammer blow, Crews captures the warmth, dignity, and brutality of his people and their fierce and awful devotion to home. This is his masterpiece.
Ranking alongside the masterworks of Poe, Dostoyevsky, Kafka, and Pessoa, this indelible existential nightmare is rendered with startling clarity through Tabatabai’s assured new translation, in an accessible edition certain to expand Hedayat’s renown, and notoriety.
Alternately universal and deeply personal, this inspiring and idiosyncratic book serves as both a valuable historical document of the women’s movement in Latin America, and fresh inspiration for all those currently engaged in dismantling the patriarchy.
Redolent of the creative and political ferment of Depression-era New York, this transgressive mashup of Karl and Groucho Marx resurrects a marginalized Asian American provocateur far fresher and more entertaining than most of his contemporaries. A revelation.
As a whole, this collection showcases the vastness of Black thinking and writing, and nicely complements works by Martha S. Jones and Stephanie E. Jones-Rogers. Complete with a list of suggestions for further reading, this winning anthology is a must for all interested in Black history, but unsure where to start.