A critical addition to sociological, historical, and anthropological collections, this book provides a multifaceted account of working within the BIA. Lambert has a rich perspective as a citizen of the Choctaw Nation, anthropologist, and former United States government employee.
Though not for newcomers to Dylan’s work, this is a valuable resource for Dylan experts and researchers producing content for future biographies and scholarship.
Enger wisely avoids making direct connections with current political events, though there are some subtle parallels. The largely young, marijuana-smoking “Jesus people” who show up on the farm are a sharp contrast to today’s Evangelical movement. Though much of the plot feels carefully orchestrated, events go in unexpected directions near the end, and the opposing perspectives of faith vs. reason are given equal weight in a story that will appeal to many fiction readers.
This page-turning memoir, while focusing on the artist’s early days and ignoring the past 30 years of his life, will appeal to BrownMark’s fans and general music enthusiasts.
Harold explores a rarely analyzed subject in an absorbing manner. The health of the environment is dependent on humans figuring out a way to produce and discard less stuff, and Harold can help us begin to understand how to make that possible.
Though occasionally dense with details, this work comprises meticulous discographic research and nuanced descriptions of songs evoking each artist’s raw creativity. Aficionados will rejoice.