An excellent addition to any science collection, Danielsson’s book serves as an exceptional ingress into the universe of theoretical physics and how it relates to a diverse cross section of human interests.
As they did for earlier Halfon books, translators Dillman and Hahn effectively render his fourth work to appear in English. Although the narrative likewise relies heavily on autobiography and treats similar themes, like Jewish identity, the end result creates less of an impact on readers than do Halfon’s 2008 The Polish Boxer or his 2018 Mourning.
Readers are forced to suspend disbelief, as they, like the protagonist, are drawn into Lucía’s alternate world and are at times unsure which one is veridical. Millás’s character portrayals, especially of Lucía, are masterly, but the disjointed episodic narration and extraneous elements leave a loose end or two. A disquieting fantasy of the Kafkian variety that’s both unsettling and absurd.
A smart, thoughtful read, occasionally needing patience; the socially engaged and younger readers facing the issues Phillips examines will especially enjoy.
In all, this title makes a valuable contribution to the ever-expanding universe of works addressing science and music, two seemingly disparate fields that have surprisingly much in common.
Besides playing with historical figures and themes, Lock’s novels stretch the limits of literary conventions. Those unfamiliar with the series may expect more reality with their history, but once you accept that the novel is a wild ride, hang on for the fun. Highly recommended, especially for readers of the series.
Unique in its exploration of the relentlessness of chronic pain, this work succeeds because of creative and candid elaborations on something that is common but difficult to describe. Those living with chronic pain and their caregivers will find Olstein’s personal voyage through pain to be enlightening