The second book in a projected trilogy (after
Outline), this novel subtly explores the multiple definitions of "transit," as its characters are all in transition: moving their physical location, ending or beginning relationships, transforming their homes, or coming to terms with new phases of life. The only through-line that resembles a plot involves the (mostly) unnamed narrator, who has ended her marriage and returned to London after living away for 15 years. She buys a dilapidated flat and starts a major renovation project, over the objections of her extremely hostile neighbors. Otherwise, most of the chapters consist of the stories imparted to the narrator, a writer, by the various people she encounters, including an old flame, her hairdresser, her building contractors, writing students, and dinner party guests.
VERDICT The narrator's apparent emotional distance makes her a sounding board for the other characters, who open up and share their lives and struggles. In a way, Cusk is unmasking one way that writers take life and turn it into fiction, and this experiment with the form and definition of the novel make this a recommended purchase where creative writing and contemporary literature collections are strong. [See Prepub Alert, 7/18/16.]
Comment Policy:
Comment should not be empty !!!