Nanette Hayes, the bohemian busker whose jazz-inflected cadences drive Carter’s 1997 mystery debut, is an irresistible bundle of contradictions: worldly and naïve, cerebral and impulsive, soulful and sexy, gutsy and self-deprecating. As she puts it, “If only I played the sax half as well as I play the fool.” The murder of a fellow street musician who stashes $60K in her tenor saxophone lures Nan far from her middle-class roots into the colorful environs of a Manhattan that is far from cozy but wears its grittiness lightly. Nanette might not be a musical virtuoso, but she sure can improvise, kicking off a swift MacGuffin-fueled narrative that’s short on probability and long on quirky spontaneity.
VERDICT Centered on the perils and amours of a strong and sophisticated Black woman, this stylish, melodic mystery and its two newly reissued sequels, Coq au Vin and Drumsticks, will be broadly appealing additions to any mystery collection.
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