Lamar Clayton, a hard-nosed rancher in west Texas with a violent past, hires a sculptor from San Antonio to create a bronze monument to Clayton's son Ben, who died fighting in World War I. Sculptor Gilheany, sensing the opportunity to create a final masterpiece, uncovers a tragic family history of Comanche kidnappings, secrets, and guilt. Harrigan (The Gates of the Alamo) is adept at describing his territory, from a ruined mission in 1920s San Antonio to the plains of west Texas. He's also clearly at home with the process of bronze sculpture, and we closely follow the journey of Gilheany's piece from his Texas studio to a casting foundry in New York City. While ably exploring themes of artistic struggle, aging, and family conflict, the book is most riveting in the sometimes horrific chapters on war, from the Indian Wars of the late 1800s to World War I.
VERDICT An engaging novel on family conflict and the artistic process; also a book that would do well with readers of Southwest history and fiction.
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