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Encyclopedia of African American Popular Culture

4 vols. Greenwood. 2010. 1733p. ed. by Jessie Carney Smith. photogs. bibliog. index. ISBN 9780313357961. $380. Online: ABC-CLIO eBook Collection REF
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These four volumes—encompassing 500-plus A-to-Z signed entries by more than 40 American scholars—cover all aspects of African American popular culture through the Obama administration. Leaving few stones unturned, Smith (William & Camille Cosby Professor in the Humanities, Fisk Univ.) includes topics and important figures spanning arts, legislature, media, civil rights, education, customs, music, social and economic issues, organizations, activism, and more. A guide in Volume 1 organizes entries by topic and similar subareas of popular culture. A time line from 1619 to the present gives context, while appendixes guide the reader to selected lists of African American films, radio shows, television shows, and popular culture collections. Entries range from less than a page to several pages in length and are written at the high school level, although college students and researchers will also benefit from the collocated knowledge on such a vast subject area; each entry also offers further readings, while boldface cross-references give alternate access points. BOTTOM LINE Whether for a student seeking biographical information on a specific African American or one needing ideas on a paper on popular culture, this set will prove useful. While the focus is on African Americans, readers interested in civil rights, sports, activism, music, and other areas will find the materials included relevant as well. Recommended for high school, college, and public libraries.—Sara Marcus, Queens Coll., Bayside, NY
Gr 6–9—The more than 600 articles in this ambitious encyclopedia cover African-American figures in, and contributions to, our country's music, fine arts, sports, science, literature, fashion, food, mass media, and cultural iconography. The alphabetically arranged articles range from "Cotillions and Botillions" and "Fish Fry" to such massive topics as "Africa and the African Diaspora" and even "African Americans in the U.S., 1619–2010." Each entry ends with a reading list of, usually, adult titles. A plethora of cross references joins lists of article titles by topic at the beginning of each volume and a massive set index in volume four to facilitate both quick reference and extended research. The final volume includes valuable lists of African-American films, TV and radio shows, and specialized popular culture collections—along with an immense book-list amusingly characterized as a "comprehensive selected bibliography." Though the depth of coverage is perforce uneven, survey articles on such topics as major civil-rights cases or African-American towns make convenient overviews, and students would have to look long and hard to find comparably detailed accounts of closely focused subjects such as African-American comedians or midwifery, the Million Woman March, or African Americans in New Orleans—not to mention Snoop Dogg, Cornel West, Aunt Jemima (who gets almost three dense pages of history and analysis), bling, funerals, cookbooks and megachurches. The murky and thinly scattered black-and-white illustrations are a weak link, but otherwise it's hard to imagine a collection that wouldn't be strengthened by this significant resource.—John Peters, formerly at New York Public Library
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