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Many people could produce essays on the songs in their lives that saved them, but Stratis’s well-practiced skill at writing on music, memory, and emotion gives this memoir a piercing and poetic quality that will move most readers.
A contribution to the lesser-known field of media distribution, this joins Joel Frykholm’s George Kleine and America Cinema and Michael Quinn’s dissertation “Early Feature Distribution,” which Long praises. Economic historians and attorneys interested in contracts and court rulings might be the most natural audience for this dissertation-styled book.
A touching tribute. O’Connor has been the subject of recent and numerous articles, a documentary, and books (including her own), but McCabe’s take is unique in its critical analysis of the media and its attempts to silence and cancel O’Connor.