Clash

With a last line that fully implicates readers in the extreme horror they just saw, this is a story that will leave audiences terrorized and broken but also surprisingly grateful for the unique experience, much like Paul Tremblay’s critically acclaimed Cabin at the End of the World and Eric LaRocca’s Things Have Gotten Worse Since We Last Spoke.

An appealing survey of a frequently dismissed genre. For ska fans, whether they’ll admit it or not.