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Film aficionados and scholars will welcome this informative and sympathetic book-length Vidor study, the first since 1988’s King Vidor, American by Raymond Durgnat and Scott Simmon.
This gateway book will deepen readers’ appreciation of milestone movies. A variety of readers, not just film fans, will want to peruse this engaging title.
A detailed account of Rouse’s work that’s also part memoir. The latter is presented nonchronologically, which may be too difficult for some readers to easily follow.
A challenging meditation on nonconformity in mid-20th-century cinema that includes a filmography list influenced by Italian and French New Wave cinema. Cultural critics might enjoy this book more than general readers.