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A moving account of art and mental illness in Nazi Germany. English’s accessible, inviting writing will draw in readers interested in personal perspectives of the Third Reich as well as aficionados of art history.
This volume brings together archival work and contemporary interviews to reveal aspects of Timbuktu history and culture, but the result is sometimes frustrating and unclear. Readers interested in the 2011 events might be better served by Joshua Hammer's The Bad-Ass Librarians of Timbuktu.