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This gothic novel will have listeners on tenterhooks, wondering if Orabella is losing her grip on reality or if she really is trapped in a living nightmare.
Coles’s novel is another stellar example of how marginalized voices are taking a perennially popular genre, previously dominated by white characters and authors, and revitalizing it for 21st-century readers in a manner that honors its history but injects brand-new terrors, similar to Mexican Gothic by Silvia Moreno-Garcia and The Hacienda by Isabel Cañas.