Coleman, Robin R. Means & Mark H. Harris

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The Black Guy Dies First: Black Horror Cinema from Fodder to Oscar

The book explores nearly every aspect and example of Black horror cinema, from recurring one-dimensional archetypes to surgical dissections of relevant films, but its overall message resonates. Black voices and creatives in cinema have made strides in representation, but there is clearly more work to do.

The Black Guy Dies First: Black Horror Cinema from Fodder to Oscar

A must-have reference with a near encyclopedic, yet readable, survey of nearly 1,000 horror movies containing more than 1,500 appearances by Black characters, from minor, nonspeaking roles to the exploration of Black films that have progressively broadened Black roles in horror and in cinema as a whole.
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