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This gateway book will deepen readers’ appreciation of milestone movies. A variety of readers, not just film fans, will want to peruse this engaging title.
A detailed account of Rouse’s work that’s also part memoir. The latter is presented nonchronologically, which may be too difficult for some readers to easily follow.
A challenging meditation on nonconformity in mid-20th-century cinema that includes a filmography list influenced by Italian and French New Wave cinema. Cultural critics might enjoy this book more than general readers.
A contribution to the lesser-known field of media distribution, this joins Joel Frykholm’s George Kleine and America Cinema and Michael Quinn’s dissertation “Early Feature Distribution,” which Long praises. Economic historians and attorneys interested in contracts and court rulings might be the most natural audience for this dissertation-styled book.