A myriad of Black journalists and authors speak about their experience writing about jazz in DC Jazz Festival artistic director Jenkins’s (African Rhythms: The Autobiography of Randy Weston) latest. The book starts with a spirited roundtable discussion among music journalists about the reasons only a few Black music writers cover jazz. They ponder whether it is the lack of access or exposure to that genre as youth, the limited financial gain, the lack of support by media outlets, or all of the aforementioned and more. Unfortunately, the book loses its momentum with several chapters of mini-autobiographies grouped by the various contributors’ vocations. Many of these stories are monotonous and do more name-dropping of musicians than discussing their lives or opinions on the state of jazz. Luckily, the last third of the book is an anthology of previously published music reviews and commentaries written by seminal music journalists. These articles bring back the roundtable discussion’s charge and provide much needed background about the history of jazz and its music reviewers. VERDICT Recommended as a secondary purchase for academic libraries, especially those with music and journalism programs.
Comment Policy:
  • Be respectful, and do not attack the author, people mentioned in the article, or other commenters. Take on the idea, not the messenger.
  • Don't use obscene, profane, or vulgar language.
  • Stay on point. Comments that stray from the topic at hand may be deleted.
  • Comments may be republished in print, online, or other forms of media.
  • If you see something objectionable, please let us know. Once a comment has been flagged, a staff member will investigate.


ALREADY A SUBSCRIBER?

We are currently offering this content for free. Sign up now to activate your personal profile, where you can save articles for future viewing

ALREADY A SUBSCRIBER?