You have exceeded your limit for simultaneous device logins.
Your current subscription allows you to be actively logged in on up to three (3) devices simultaneously. Click on continue below to log out of other sessions and log in on this device.
Purdum’s access to the Arnaz family and unpublished records allows him to essentially fact-check the memoirs written by Arnaz and Ball, and his honest reflection of a complicated man is poignant and heartfelt.
Brogan excels at detailing the breadth of Garland’s career alongside the highs and lows of her personal life. This sizeable (11 x 8.5 in.) and fully illustrated book is best for libraries with larger performing arts sections.
As dynamic a subject as Prince’s music is, this book’s unyieldingly academic writing style may deter some fans. However, academic libraries supporting studies in music theory should take note.
This thoughtful audio biography sheds light on Davis’s multifaceted career, offering valuable insights into Black history and the broader American political landscape during a period of social upheaval and transformation. Recommended for fans of Darryl Littleton’s Black Comedians on Black Comedy or those interested in the intersection of entertainment, race, and culture.
This well-researched study covers some well-trodden ground, but Fellner uncovers rarities and lost titles that amplify the volume’s value. Plus, there’s something quaintly appealing about movie critics trying to make sense of mad scientists and monkey costumes.
A strong choice for any film collection. Smokler and his interviewees demonstrate just how profound an impact women directors have had on the cultural landscape, and readers who pick this up to dip into a discussion with a favorite director will likely walk away with new creators and works to explore.
All music aficionados, not just Fleetwood Mac fans, will appreciate this traversal of an iconic group’s output and influence. It’s a fine encyclopedic complement to Mark Blake’s Dreams.
A meaty book that bursts at the seams with substance, it’s held together by the author’s familiarity with the subject and respect for Wagner as a composer.
Many people could produce essays on the songs in their lives that saved them, but Stratis’s well-practiced skill at writing on music, memory, and emotion gives this memoir a piercing and poetic quality that will move most readers.
A fascinating, detailed biography of an enigmatic musician with a new author’s note and some updates since the 2022 edition. Recommended for libraries without an earlier copy.
Gibson’s balanced blend of historical overview and cultural analysis takes readers where they need to go from the origins of Doctor Who to the present.
Seller is an engaging storyteller and as passionate about directing summer camp theater as he is about producing award-winning Broadway shows. Highly recommended.
Informed by archival research, Swanson takes a unique approach to a well-documented show. Fans will find it fascinating, especially fans of the 1966–69 original series.
Writing a balanced but heartfelt account that general readers will find riveting, Sheff characterizes Ono as a strong, brilliant, hard-working experimental artist and musician who battled racism and sexism in a largely solitary life.
An enthusiastic and emotional account of how personal lives and a fandom community can entwine. Potential readers should know that while the authors convey much love for Buffy the Vampire Slayer, the amount of content focusing on the TV show is relatively small, resulting in a book more likely to satisfy fans of the podcast specifically than Buffy fans in general.
Santopietro has amassed a large amount of research and interviews into a compelling and flowing narrative, while photos with fashion commentary by designer Banks enlighten the text.
Butler’s debut memoir is an enjoyable tribute to Little House on the Prairie and a testament to the life’s work of a thoroughly likable actor, director, and producer.
A recommended purchase, perfect for listeners who appreciate sharp humor and social commentary. Whether looking for a quick laugh or an insightful take on current events, this book provides both in abundance.
Shield’s inspiring and insightful narrative resonates. This fresh conversation will be a valuable addition to any collection focused on gender, personal growth, or aging.
Despite covering most of the significant bands of the time, Einarson tends to deal with time-worn material and offers few new insights in a book that may seem repetitive to most rock fans.
The short chapters make this a fast read, and the variety of musicians reckoning with their legacy means that this should have appeal for a broad selection of readers and fans.
MacKinney’s level of research and analysis will likely appeal more to music scholars than casual readers. However, as the first complete history of the Shangri-Las, this volume should still draw interest from music historians and classic pop fans.
King brings erudition to sexploitation, grounding this work in film theory and exploring the subjectivity of taste. Less subjective are the movie stills used to illustrate his points.
This breezy oral history will appeal to most rock fans. The authors explore the festival’s impact on ’90s rock culture and provide intimate portrayals of the bands that Lollapalooza featured.
Little has been available heretofore about Crouch other than his 1974 autobiography Through It All, so Darden and Newby are to be commended for this title, likely to become the definitive exploration of this influential artist.
RuPaul’s many fans will want to check out his self-narrated memoir, which offers a candid and sincere account of his experiences, reflections, and growth.
An intimate glimpse of Presley’s experiences growing up in the shadow of her father Elvis. This memoir is a beautiful tribute to the enduring power of love and the complexity of human experience through enduring family bonds.
Overall, Evers’s book provides a good analysis of Taylor Swift’s evolution as both an artist and a brand unto herself. A good choice for all academic libraries and public libraries with strong business collections.
Peacock’s lyrical writing will draw readers in and keep them interested. This memoir will appeal to those interested in one man’s experiences in several contemporary music spaces.
A much-needed and meticulously detailed study of an under-explored aspect of 20th-century music in the United States. This is for jazz listeners, musicians, DJs, influencers, musicologists, and historians.
Arogundade charges that changes such as expanding the number of films nominated and internationalizing the Academy’s voting membership have gradually increased the cultural makeup in the still largely white AMPAS, with more improvements expected.
Public libraries may wish this enjoyable but optional purchase was a coffee table tribute book, while academic libraries may struggle to find an audience.
This dialogue with Baker revels in her poetic and often humorous way of speaking. Pair with Chris Chase and Jean-Claude Baker’s authoritative biography Josephine Baker: The Hungry Heart.
This title is not merely essential for any collection on popular music or queer history. Savage’s ability to turn a wealth of information into a compellingly readable narrative should make this volume of interest to readers of all stripes.
A fascinating and exuberant account of hip-hop’s music and poetry, dances, storytelling, breakbeats, and the skills of turntablists. In audio form, Questlove’s sharply observant and vital music history lets listeners tap into the genre’s rhythms and beats and consider what the next decades of hip-hop music and entertainment may hold.
The combination of meticulous research and fluent writing makes this title important for anyone interested in Doc Watson or the evolution of old-time, traditional, and folk music over the past 90 years.
Recommended for scholars possessing the requisite musical background and for sophisticated readers interested in the relationship of the arts to the human condition.