Lewis provides a straightforward, candid, and lively account of his more than 60-year-long musical journey that will appeal to general readers and jazz fans.
There aren’t any shocking revelations about the band or its music, but this book, with its insider’s perspective, takes music fanatics on an enjoyable romp through the grunge heyday.
A touching tribute. O’Connor has been the subject of recent and numerous articles, a documentary, and books (including her own), but McCabe’s take is unique in its critical analysis of the media and its attempts to silence and cancel O’Connor.
Use caution when recommending this particular celebrity memoir. It should come with a trigger warning, considering its cover-to-cover instances of abuse, neglect, drug use, violence, and trauma.
No one experimented more with film than Godard in his day. It’s helpful to have this insightful, if sometimes difficult to follow, account of his oeuvre.
With a wide range of pieces and candid photographs throughout, this work will likely appeal to music fans and readers interested in independent music studios and music history.
Written for an audience both knowledgeable in cult films and fluent in film theory, this title meets a niche need. Readers seeking to learn a little more about films such as The Bird with the Crystal Plumage or Don’t Torture a Duckling might find themselves overwhelmed.
From A (“Ac-Cent-Tchu-Ate the Positive”) to Z (“Zing! Went the Strings of My Heart”), this book will delight lovers of American pop songs. But those who don’t read music will find it hard to follow Suskin’s dissection of melody lines, rhythm accents, and key changes, which makes up half or more of each entry.
Anachronistic tales throughout and Bellamy’s sometimes overly simplistic lessons and advice take away from the book’s allure. This title is best to give to his fans, especially those who grew up watching him.
Honest and raw, this book serves a slice of an inspiring life that reminds readers to keep trying. Williams’s story will likely appeal to readers interested in music, poetry, literature, or mental health.
The subject matter might appeal only to a limited audience of strict cinephiles, but McEwen’s sentimental devotion is both noteworthy and impressive in this entertaining work.
Some readers will enjoy the author’s free-ranging, exuberant style. For others, there are more traditional treatments of Beethoven in books such as Beethoven: Anguish and Triumph by Jan Swafford and Beethoven: The Man Revealed by John Suchet.
Barber knew everybody in his milieu, and this book reflects that. Scholars will devour this exceptional study, but any music lover will benefit from reading it.
Spiced with fascinating stories, this book provides a valuable personal insight into the heyday of ’80s electropop that will appeal to general readers.
For fans of The Dark Side of the Moon, this book is especially welcome. Those not familiar with Pink Floyd or this particular venture will still likely appreciate the well-researched and swiftly flowing tale that combines musical intricacies with cultural context.
The bulk of the book is comprised of a detailed catalogue of 1,880 soundies, their production and casting notes, and more. Very much a specialty book best suited for music aficionados, not general readers.
With so many overlapping narratives and meanderings, this crowdsourced mélange lacks a throughline to the main man. However, it will send Russell’s fans to their hi-fis to give his music another listen.
Despite McCormick’s engaging performance, this dense book may bog some listeners down. An enlightening addition to music history and Black history collections, although the print edition better reveals the breadth of Gaddy’s research.
Full-cast audio is an excellent way to experience Shakespeare as the author intended, and this well-produced version will please both fans and listeners new to the play. Highly recommended for all audio collections.
This audio will appeal to listeners seeking a thought-provoking analysis and social critique of pop culture paragons from Sailor Moon to Spider-Man. Recommended for fans of media meets memoir that is well researched but relatable.
Narrator Steven Crossley elevates the book with his excellent reading, providing personality and a sharp, biting sarcasm appropriate to the material. A foreword by Emma Thompson is voiced by Bonnie Wright, and editor Taylor’s prologue is read by Alfred Enoch. Rickman’s wife, Rima Horton, provides a touching afterword.
The layout and photos in the print version are truly fabulous, but the audiobook is still a key purchase. This charismatic duo slays both on the page and in the recording booth.
The narration of this play is tons of fun. Purchase multiple copies and give patrons an opportunity to relish this outstanding audio that brings two original pop icons to life.
While listeners won’t necessarily agree with all of Dylan’s selections, they will likely enjoy learning about both obscure songs and chart-toppers. The all-star narration makes this audiobook shine.
Rap’s dominance in popular culture makes this an excellent addition to any library celebrating music, but it is especially important for libraries in the Southeastern United States, a region whose cultural and musical accomplishments, particularly those by Black artists, are sometimes overlooked.
This engaging memoir will appeal to listeners interested in entertainment-industry memoirs and more specifically, Asian American women navigating Hollywood and fame.
The book is stellar as a filmography, but, due to its heavy reliance on IMDb and other internet sources, fans of Windsor may find few new details about the star’s personal life.
Burlingame has produced a thorough analysis of music composed for television that will probably remain in readers’ heads. Those seeking more information about these rerunning tunes will find it here.
Limited appeal, as it’s strictly a study of the show’s take on government and its ability to remain relevant. It’s not a homage to the characters or episodes.
This anecdotally rich book is breezily written with extended quotations forming the heart of the story of a still-in-use studio. It will appeal to rock-history fans in search of both musical lore and the stories behind some of rock’s most memorable albums and bands.
Given the profanity-laced text and graphic sexual descriptions, this is not intended for all readers, but it provides a diverting, insider-y thrill ride for Kevin Smith fans and those interested in the mechanics of the movie business.
Curry combines extensive research with deft writing to reveal the life of a Z-movie director through his unconventional oeuvre. Aimed at cinephiles, the book celebrates an underdog who made movies in Hollywood’s shadow.
A subtle, insightful book likely to be on many readers’ radar for its nuanced look at the consequences of a racial divide with roots that, as Jacobson makes clear, are longstanding, systemic, and institutional.
The range, both in chronology and subject, of this collection should provide much food for thought to dedicated scholars of auteur cinema and its intersections with queer filmmaking and criticism.
Although some acquaintance with musicology and world history is assumed, the author’s engaging style and the universality of the subject matter will likely have widespread appeal. This title is warmly recommended.
While Stephen Cavalier’s The World History of Animation places this art in an international perspective, Scott’s decades-long undertaking, including his second volume, of references, is a contender for best source on American cartoon vocalization.
This volume is an absolute must-have resource guide and vade mecum for all popular-culture and American-culture enthusiasts. It enables readers to view U.S. culture through cinema and television.
Like a rollicking drum solo, Moss’s writing will reward readers willing to go along for the ride. The author’s passion and joy for both music and spirituality are radiant.
Cole looks back on her life and career fondly, but she doesn’t shy away from the parts that were challenging and less than idyllic, making this a compelling read.
Provides a revealing look into the mind of a thoughtful, searching, driven artist navigating a world in which the old rules of performance have lost their validity. Like a Levit musical performance, this book lingers long after the last note is sounded.
This poignant memoir will not only be loved by music fans but will also likely appeal to readers who want to go on a journey of love, ambivalence, and acceptance.
This carefully crafted academic treatment will enhance library shelves, although this book’s conceptual language may challenge lay readers. Still, it’s worth the effort.
A thoughtful and engaging look at dance and its place in the human experience that will likely appeal to readers with an interest in dance, culture, and forms of human expression.
With 26 pages of notes, this is a detailed and well-researched biography of a popular film that avid fans and film students will likely find fascinating.
Some entries are more successful than others in fleshing out who Taylor Mac is and what Mac is trying to accomplish. Nonetheless, this eclectic, no-holds-barred exposition represents an important addition to theater and gender studies.
A must-have reference with a near encyclopedic, yet readable, survey of nearly 1,000 horror movies containing more than 1,500 appearances by Black characters, from minor, nonspeaking roles to the exploration of Black films that have progressively broadened Black roles in horror and in cinema as a whole.