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A well-researched work with many entries that feature production stills and promotional artwork. There are plenty of treasures here for mummy enthusiasts.
Musical theater enthusiasts and Superstar devotees will appreciate this candid perspective, the interviews with the show’s legends, and the stunning collection of photos.
A thoughtful, scholarly investigation into the complexities of how powerful women are conceptualized and presented in the current media landscape. Eminently suitable for libraries with feminist and women-in-media collections. Likely to be of particular use to those seeking analyses of postfeminist media centered on women protagonists.
An incredibly detailed and successful book about Charlie Chaplin that does not lose film fans. More general readers can skip over much of the thorough analysis but still benefit from the book.
Readers who fondly remember watching programs such as In Living Color and Everybody Hates Chris will especially enjoy this. Same goes for TV enthusiasts looking for something to rewatch.
This tale will grab readers from the first to the last page. It’s an interesting take on what went into making The Sopranos, the Rolls Royce of cable TV.
In only four pages of text for each award winner, the book captures the strong feelings of camaraderie among the tight-knit film community, the tension-filled waiting period, the elation of victory, and the after-party giddiness or loneliness that the interviewees experienced. Highly recommended.
Readers who enjoyed Jessica Hopper’s The First Collection of Criticism by a Living Female Rock Critic and Hanif Abdurraqib’s They Can’t Kill Us Until They Kill Us are the perfect audience for this book.
This book’s fierce attitude and biographies that pitch towards the positive will have plenty of appeal for readers seeking some inspiration from women who’ve carved out a place in rock music.
This dramatized adaptation of Stoker’s classic tale is a perfect spooky listen for those seeking a new experience of the original novel. Recommended for any audio classics or horror collection.
Delightfully offbeat views of Stars Hollow (The Gilmore Girls), Central Perk (Friends), and the Pie Hole (Pushing Daisies). Consider ordering a couple of copies, as this will likely stay in circulation.
For listeners interested in reexamining musical gatekeeping, Marsh’s writing and Boutsikaris’s delivery provide a portrait of the music industry that goes well beyond the usual fare.
This audio will appeal to listeners seeking a classic creepy tale with a contemporary spin, presented as an intense and engaging dramatic production. Recommended for fans of horror both old and new, from Stevenson to Stephen King.
Silenced for years, Spears uses this memoir to tell the world the truth about her life and to celebrate her newfound freedom. It is a must-purchase for all collections.
A comprehensive, meticulously researched, generally left-of-center work about how industries intended to entertain were and remain cultural battlefields.
An excellent resource for media or African American studies scholars who want to delve deeper into how these landmark sitcoms broke barriers for other Black artists.
An academic analysis of the Beatles as products and producers of music performed by Black musicians. This deep dive into music will entertain and influence listeners.
An informed narrative interspersed with quotes, this book paints a page-turning picture of the legendary Velvet Underground. Will appeal to general readers and rock aficionados.
Balancing the biographical and the historical, this informative and stylishly written work illuminates the lives and contributions of these gifted performers. For popular-music lovers.
Enjoyable and educational. Will appeal to a wide range of popular-musical enthusiasts, including those who remember the era well and those eager to learn more about it.
This stellar book is about how filmmakers simplify the bloody business of war and why audiences buy into it. Readers who enjoy vigorous arguments and good writing will love this book.
Might be perfect to assign to a class of theater students. The lengthy appendix and niche subject matter may weaken its appeal for general collections.
This study for both general and academic readers makes the case for the cultural influence of television in altering attitudes toward war, albeit at a fortunate time in history before the dispersive effects of cable television.
A vivid tribute and companion to the films of Powell and Pressburger for fans of cinema and creativity alike. More than a summation of their work, this book is a showcase of the creative process.
In an oversized volume lavishly illustrated with dozens of photos, Powers successfully portrays Presley as a down-to-earth, generous, caring, and eventually lonely and drug-addicted icon and never bows to the usual sensationalism of most Presley accounts; general readers will find it refreshing, entertaining, and interesting.
The author more than makes the case that Betty Boop maintains long-lasting appeal and popularity, thanks to her indelible charm and independence. A fascinating read that explores every facet of the animated icon.
A commendable tribute and welcome companion to the promised upcoming volume, the second in a two-book project that draws deeply from the Evans family archives.
With Turner’s recent death, this tome is a thoughtful tribute. Its scholarly approach may appeal more to students of religion and pop culture than the average Turner fan.
Another excellent work from an American treasure. Tweedy’s enthusiasm and exuberance does for readers what the best songs do for listeners: inspire, delight, connect, linger, and drive people back for more.
This summary of Grateful Dead shows doesn’t offer much new material for fans. Readers looking for something more comprehensive may want to start with David Browne’s So Many Roads.
Distinguished research, featuring the over 1,900-page FBI report, media accounts, and interviews with family members, coworkers, and historians, propels this excellent biography that captures Chaplin, both the person and his work.
Nostalgic for some, revelatory for others, this account demonstrates how film evaluators can influence popular culture as much as the films themselves did.
Readers might sometimes find there’s too much arcane minutia in this retrospective edition, but Azerrad has written a poignant afterword that makes this expanded version worth the shelf space. Nirvana fans will want to read it.
Casual film fans will discover new titles, while dedicated aficionados will enjoy debating Foote’s inclusions and exclusions. An enjoyable look at a pivotal era in film history.
An incredible work of film analysis, examining cultural context and interspersing personal history, that makes a great read for movie, horror, and pop-culture fans. Highly recommended for libraries with media analysis collections.
Marvel fans and film aficionados alike will appreciate this highly recommended, smashing insider look at one of entertainment’s greatest success stories.
Impressive in size and scope, the 880 pages of this tome might deter some readers. However, casual and hardcore fans of Madonna (or of pop music in general) will still benefit from making a beeline for this book. A vital pick for public libraries and institutions with collections on women artists or 20th- and 21st-century music and pop culture.
A complex study, in content and in presentation. Those who take the time to read in depth will be rewarded with meticulous analyses and perceptive insights that have universal relevance.
This may well become the definitive biography of Carpenter and an excellent companion to Randy L. Schmidt’s Little Girl Blue. Pop music fans will appreciate this strong biography.
McCrae’s innovative stylistics and associative leaps take some getting used to, but his poetry echoes his hope that “what once seemed strange to you/ Becomes your heart.”
Highly recommended for listeners interested in social justice and entertainment equity. Offer to those who have devoured Kantor and Twohey’s She Said or Ronan Farrow’s Catch and Kill.
The descriptions of Ratmansky’s style and working process are accessible to readers who have no extensive technical ballet vocabulary, but the book is still detailed enough to satisfy serious researchers. This thorough account of Ratmansky’s career is best suited for libraries that support in-depth dance scholarship.