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Friedman (emerita, American art, Wellesley Coll.; American Glamour and the Evolution of Modern Architecture) skillfully illuminates a world usually hidden behind a curtain of societal restrictions. This remarkable book will be a welcome addition to LGBTQIA+ and art history collections.
Reporting about outsider art is usually told from a third-person perspective, often ending up clinical, cold, and distant. This book’s first-person narrative skillfully avoids this, as the author’s discoveries about himself go hand-in-hand with discoveries about his uncle.
This luminous work highlights the museum’s thoughtfully designed grounds and installations, allowing readers into a reclaimed space that promotes conversation, truth, and even hope. Those interested in Black history, architecture, and design will find much to ponder.
Recommended for readers who have a firm understanding of early 20th-century modernist art and can absorb the complex concepts surrounding the abstract art of this period.
Well written, a little short, and sparsely illustrated, this is nevertheless a singular volume about an intriguing subject, narrated by an insider. Readers will feel markedly better after reading about archaeologists’, preservationists’, and the general public’s care and responsibility for preserving world heritage.
With skillful writing and a fascinating story, this book is a great example of using local history as a preview of what the world can be. A welcome addition to most libraries.