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Writing a balanced but heartfelt account that general readers will find riveting, Sheff characterizes Ono as a strong, brilliant, hard-working experimental artist and musician who battled racism and sexism in a largely solitary life.
Despite covering most of the significant bands of the time, Einarson tends to deal with time-worn material and offers few new insights in a book that may seem repetitive to most rock fans.
This breezy oral history will appeal to most rock fans. The authors explore the festival’s impact on ’90s rock culture and provide intimate portrayals of the bands that Lollapalooza featured.
A provocative, insightful, disturbing, and well-researched indictment of Spotify, the music industry, and streaming platforms, which daily mine billions of data bits from users to maximize profits and churn out musical formulas. Highly recommended.
Though never pinpointing the reasons for the explosive, major-label success of a rebellious band, which ostensibly distrusted corporate rock, Carlin assembles a solid, much-needed narrative of one of the major alternative rock bands that both complements and updates David Buckley’s 2002 R.E.M. Fiction: An Alternative Biography.
Though his book is thought-provoking, Rowell never thoroughly explains the reasons for the fixation on older music beyond the obvious penchant for comforting nostalgia, easy access to past hits through technology, and corporate greed. An interesting but not entirely satisfying book for rock fans.