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This richly rewarding book is a singular achievement in tracing the prowess of these larger-than-life musical figures, whose talents still have emotional resonance today.
For anyone familiar with the movie, the book will have instant appeal. It’s also a wonderful glimpse into the joys and travails of treating something nearly universally loved in a way that honors the original, while its horizons are expanded in a fresh, bold way.
For fans of The Dark Side of the Moon, this book is especially welcome. Those not familiar with Pink Floyd or this particular venture will still likely appreciate the well-researched and swiftly flowing tale that combines musical intricacies with cultural context.
Given the profanity-laced text and graphic sexual descriptions, this is not intended for all readers, but it provides a diverting, insider-y thrill ride for Kevin Smith fans and those interested in the mechanics of the movie business.
Although some acquaintance with musicology and world history is assumed, the author’s engaging style and the universality of the subject matter will likely have widespread appeal. This title is warmly recommended.
Some entries are more successful than others in fleshing out who Taylor Mac is and what Mac is trying to accomplish. Nonetheless, this eclectic, no-holds-barred exposition represents an important addition to theater and gender studies.