An absorbing, thoughtful, and balanced look at a master of his medium.
Recommend to readers who enjoy engaging and sassy memoirs, and those interested in learning about 20th-century Black theater, film, and television.
Armstrong preserves an important part of television’s—and women’s
Rock music fans will be banging their heads to this book.
An enlightening and insightful chronicle. For Latin music fans as well as for those eager to learn more about this style of music.
Dodgion’s pull-no-punches style and determination in the face of daunting situations bring an obscure figure to vivid life. The title should appeal to jazz aficionados, who will recognize many of the musicians with whom she played, as well as those interested in ways in which women have flourished in the creative arts.
Kenner provides a behind-the-scenes look at the rap business and a musical genius. Rousing and powerful, this work will be devoured by Hussle’s fans and appreciated by students of Black culture and the music industry.
Told with humor and grace, Abdurraqib’s stories will inspire and provoke thoughtful meditations on how Black lives matter in all areas of life and art.
A successful dive into global music culture in an easy-to-digest format for beginner researchers.
An engaging parable on the power of intention for the musically and mystically inclined.
An ambitious work of great complexity and depth. For scholars and interested readers, particularly in Black studies, but also music, anthropology, and archival studies.
A relatable and touching memoir that will resonate both with Bloom’s fans and those unfamiliar with her work.
Though the narrative is at times dry, readers interested in a serious study of Hughes and 1980s cinema will enjoy this engaging book, which serves as a solid companion piece to Susannah Gora’s You Couldn’t Ignore Me if You Tried.
Pair this trivia book with Edward Gross and Mark Altman’s Nobody Does It Better: The Complete, Uncensored, Unauthorized Oral History of James Bond for a comprehensive history of all things Bond.
With humorous and concise prose, Spitzer makes a convincing case for the irreducible musical properties of human beings.
This meticulously researched, affectionate biography analyzes Parker’s impact as a musician, a composer, and a political revolutionary. An important work that will appeal to jazz historians, scholars of Black history, and music lovers.
Music lovers, both fans of Kweli and those less familiar with him, will be gratified by this evocative story of how he has drawn from experiences to craft his art.
Scholars of cinematic history and aficionados of gangster folklore will be riveted.
This light and breezy work will be thoroughly enjoyed by über-fans of Dawson’s Creek and might inspire neophytes to binge the whole series. Purchase where popular culture titles circulate well.
An appealing and accessible musical history that showcases the importance of homegrown regional musical culture. For bluegrass fans and historians of the genre.
A well-researched and comprehensive guide for film students and movie mavens alike.
Though conducting many interviews, Jones offers few new insights; relies on generalizations, unfounded suppositions, and speculation; and writes in a cliché-ridden, offhand style. Readers would be better served by Ray Connolly’s Being John Lennon: A Restless Life.
An enthusiastic and enlightening view of an entertaining artist and humanitarian and his environment.
Though some chapters (musician Bob Marley, poet Robert Bly) are more convincing than others (actor Jerry Lee Lewis), this intriguing work stands well alongside the author’s other memoirs, such as Riders on the Storm and The Doors Unhinged. General readers and rock aficionados will find it fascinating.
Infused with intelligence, honesty, and the perfect dose of optimism, Fox’s story will resonate with his fans, including those living with Parkinson’s.
An entertaining and revealing look into the dawn of a revolutionary art form.
Arnold’s knowledge is vast, and the joyful tone of his sprightly writing is infectious. With a foreword by current TCM host Ben Mankiewicz, an index and an extensive bibliography, and a list of all the films screened on The Essentials, this book will please film buffs of all ages and levels of cinema knowledge.
Written for students at the undergraduate and graduate level, as well as for general learners, this is a necessary tool for those looking for guidance in finding music research.
This love letter to the show is a must-read for all Sopranos devotees and TV history aficionados.
With no real comparison book, this well-documented history, though uneven at times, should spark interest and future research.
Thomson’s own genius is his ability to remain one of the leading authorities on cinematic history, without shying away from the controversial. Cinephiles seeking provocative arguments will appreciate his work.
Ochs’s work remains relevant today, and this book will appeal to his loyal fans and to readers interested in folk music’s role in promoting justice.
The copious detail will appeal to musicologists, while the flowing, conversational style will draw in general readers who’d like to learn more about the composer. Heartily recommended to everyone with an interest in the subject.
In this time of dark stages and unemployed thespians, Sherman’s reflections will enchant all theater buffs.
An in-depth, exquisite biography of a legendary film, and a must-read for cinephiles.
Protracted dissections of events such as the Grammys may prove tedious, but pop fans with an appetite for nostalgia will find much to like.
Devotees of Kiss, Aerosmith, Cheap Trick, and/or Starz, and they are legion, are going to lick this up. Rock this way.
Music students and aficionados alike will appreciate this engaging and accessible portrait of the composer.
This evocative work conveys the challenges and successes Hendricks experienced and make for an affecting, well-rounded portrait of an underappreciated jazz artist who is ripe for rediscovery.
Ardent Morissette fans and Broadway buffs will enjoy this peek behind the curtain.
An illuminating compilation and study of an American artistic treasure. This study is both a finely wrought biographical snapshot and an opportunity to sit in on conversations with one of the sharpest and most provocative minds of our time.
A slight, unnecessary look at cultural divisions between a creator and his creations.
Kinderman’s exhaustive scholarship and fluid style combine with up-to-date references to issues such as systemic repression and other provocative topics, which should resonate with both academics and informed general readers.
Heartwarming and insightful in equal measure. For Parton fans.
A multilensed view of a continually evolving and consistently vibrant art form. For gospel fans, music scholars, and scholars of African American history and culture generally.
Carlin’s spring-loaded narrative keeps the reader involved, and characterizing the empathetic side of some of the outsize personalities humanizes the Warner mythos. Record label books abound, but there has been little available about Warner itself or its sister companies since Warren Zanes’s Revolutions in Sound; Carlin’s title admirably fills that gap.
For the serious music lover and anyone seeking answers to some essential questions about art and music.
Recommended for film buffs and those interested in a reflective, nonacademic examination of race and film.
Though not writing for aficionados who undoubtedly have pored over the hundreds of detailed books and firsthand accounts about the Beatles, Reilly offers a breezy, heavily illustrated romp through Beatles history for listeners who might not know much about the iconic group.
A must-read for Carey’s fans, though music lovers of all genres will also delight in this personal story.
A perfect read for those who enjoyed Michelle Buteau’s Survival of the Thickest and Amy Poehler’s Yes, Please.
Readers of this breezy, fun, and informative work are the beneficiaries of the rarefied theatrical air of Broadway inhabited by Riedel. An obligatory purchase for all theater collections.
Though sometimes unable to explain the chasm between Guthrie’s words and actions, the author offers a well-researched addition to the Guthrie bibliography for general readers that complements Joe Klein’s standard biography, Woody Guthrie: A Life.
For film students and celebrity mavens alike.
This enjoyable and encyclopedic treatment of a thriving and still-growing culture will appeal to listeners and scholars of Seattle hip-hop and the genre in general.
Accessible and illuminating, this is required reading for anyone interested in opera and its complete history.
Punch lines and favorite riffs, interspersed with a more academic discussion of political satire, all in about 175 pages before endnotes, make this an interesting but not overbearing choice for humor collections.
Followers of the convoluted drama series will have an easier time following the conversation. While it’s easy to embrace Twin Peaks for its quirkiness, Stallings successfully centers the conversation on its darkest secrets. The work includes trigger warnings for sexual assault, sexual abuse, and domestic violence, as it embraces difficult topics that are sadly as relevant today as when the show first aired.
This scholarly analysis may find its audience in academic performing arts collections.
The definitive guide for scholars and fans alike to all things Masterpiece and Mystery!
Students of popular music and Turner devotees who want to know what Tina is doing now will enjoy this well-researched volume.
This irreverent look at film criticism will be popular among West’s many fans and may provide insight for readers grappling with liking flawed films.
Jenkins brings renewed focus to an important and influential, if possibly overlooked group from the heyday of bluegrass performance. One might wish for a more dispassionate gaze than his almost universal approbation of their musical contributions, but this is a small quibble in an excellent effort brimming with infectious joy, a signature of the McLain Family Band.
Die-hard Morrison fans might enjoy this, but it’s a marginal addition for even the largest music or biography collection.
A satisfying look at a trailblazer and noteworthy role model.
It’s hard to say who this book is for, exactly, as the musical era of the late Sixties and early Seventies recedes further into the past. But there’s something more than nostalgia here: It’s documentation of a particular period of pop music, from a time whose documents are less than readily accessible. An appealing slice of pop music history for fans and researchers of the era.
An excellent portrait that emphasizes the man more than the movie star.
Combining existing research with voluminous new interviews and access to Grant’s personal papers, this is an informative and entertaining biography of a legendary actor.
Linklater devotees, those who love Dazed and Confused, and anyone interested in 1990s indie film will appreciate Maerz’s detailed tribute.
This wonderful offering can be read in one sitting or savored one essay at a time. Fans of Ali Wong or Mindy Kaling will appreciate this heartbreaking and hopeful volume.
Rock fans will naturally enjoy this book, but it is also a significant contribution to LGBTQIA+ nonfiction.
Skal wrings new life from the undead in this loving tribute to horror cinema. Movie buffs will appreciate his depth of knowledge, and fright fans will treasure this gorgeous look at the ghoulish.
Lampert offers a fascinating glimpse into the complicated history of 19th-century theater and the role of female performers in changing the dynamic of women’s place in society. For libraries with large gender studies and performing arts collections.
Despite the self-deprecating title, Seinfeld has assembled his greatest hits. Readers will delight in seeing how he mined a shifting landscape of inane commercial products, societal norms, and myriad pet peeves for laughs. Just don’t expect him to reveal how all this magic works.
A pleasant memoir that offers an inside look at the history of folk and country rock from one of its founders.
This book offers a seductive blend of sometimes contradictory insights into Cohen but will be sought after only by his most devoted fans.
For the foreseeable future, this is the definitive word on Nolan and a must for film buffs.
Foster’s thoughtful and well-researched look at race and the blues via an exploration of a distressed and declining Southern rural town will be useful to music and sociology academics.
A thoughtful musing on the significance of Parton’s work and success, and those she inspires.
A persuasive argument for taking Dolly Parton seriously as an artist. For folk and country music scholars, musicians, and fans.
Of interest to those familiar with Shange’s written work, and generally to dancers and dance historians.
An excellent guide for anyone interested in expanding their musical horizons.
Acknowledging the significant role guitar historian Tony Bacon has played in this arena through his more popularly oriented publications, Atkinson’s more academic contribution to the literature is decidedly welcome. His rigorous scholarship and clear affection for the subject shine.
Extremely knowledgeable but a bit overly academic, Gussow ably details the African American core of the blues and the shifting racial dynamics that have made the music so compelling to white Americans and blues fans in other cultures. Blues scholars will find the book illuminating.
Fans will likely devour this title despite its problems, and the work has crossover appeal to young adult readers, who will be stirred by Lamar’s professional and personal journey. [See Prepub Alert, 4/15/20.]
There’s little new here; readers will find the same information covered in similar texts. Still, for nonmusically trained readers, this is an aesthetically pleasing introduction to Western classical music.
Brown presents a fresh take on a seemingly inexhaustible subject
Not the launching point for an introduction to the life of Sun Ra, but rather a deeper dive into the city life and utopian vision informing his work and philosophy, emphasizing that (Urban) Space Is the Place. Recommended for academic libraries.
Entertaining and rousing, on the stage and now on the page, Frampton Comes Alive.
Though sometimes overly enthusiastic about Armstrong and presenting more detail than most general readers need, Riccardi produces a meticulously researched but readable account that jazz fans will embrace as a standard work about the iconic trumpeter. [See Q&A, p. 69.]
Socially conscious fans will appreciate this study, which shows a real affection for its subject; however, skeptics may question the conclusions it draws.
A wide-ranging vision and appreciation of American musical creativity from a writer who is himself an essential voice.
Rock fans will devour this narrative and find its “you are there” style eminently palpable.
Karlen’s writing is too often barely coherent. Even devoted fans should skip.
For film scholars and those interested in anarchism and other revolutionary movements.
With Trebek’s public battle with pancreatic cancer, it’s hard not to ascribe a eulogistic tone to this work. Nevertheless, Rogak’s work is a well-crafted biography that will especially appeal to Jeopardy! fans.
Bell acknowledges that he’s taken liberties, but his unexpectedly gripping account of the early 1990s cable television scene makes for compelling reading.
Country fans, especially Willie Nelson devotees, will devour this down-to-earth yet inspiring account of an unbreakable bond between brother and sister. [See Prepub Alert, 4/1/20.]
Great for readers who have a basic knowledge of American history and seek to deepen that knowledge through the incorporation of jazz history.
There’s much to ponder here for a variety of readers, from nostalgia buffs to those seeking exciting new discoveries.
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