Bigotry on Broadway

Insightful essays and interviews examine how white power structures on Broadway have shaped musical theater’s representations of Black, Indigenous, and people of color, or led to their absence; the volume is edited by poet, novelist, and playwright Reed (The Haunting of Lin-Manuel Miranda) and writer, director, and dramaturge Blank. In these texts, writers, filmmakers, poets, and others involved in theatrical production consider what is missing or misrepresented in many of the so-called classic Broadway musicals, such as Indigenous cultures in Oklahoma. Blank points out that Broadway’s hiring practices are inequitable, with most acting, production, and writing jobs going to white men. Contributors address painful instances of brownface and yellowface in works such as West Side Story, South Pacific, and Miss Saigon. Other essayists examine racism in newer Broadway productions, including white savior tropes in the Uganda-set The Book of Mormon, erasure of the genocide of Indigenous people in Bloody Bloody Andrew Jackson, and the erroneous depiction of Alexander Hamilton as an abolitionist in Hamilton.