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From fox to car to misty morning, silver glints throughout this polished collection, woven in like meaningfulness in life. A strong entry, appealing for most readers.
Though Chang finally concedes that “My error was to become what / I wanted to be, not its tone,” there’s no easy understanding here. She’s grappling, and readers will too, but her refusal to trade in cliché makes this book stand out.
Alive with the spark of a fresh voice discovering itself, Brown’s novel is written with astonishing grace and curiosity. This is a work to be compared with Marilynne Robinson’s beautiful and boundless Housekeeping, and a writer to be watched with great expectations.
Less a story than a meditation on seeing and what is seen, Cusk’s new novel is a work of quiet intensity with an oddly Zen quality to it; it is a book that makes demands, foremost that readers stop looking and finally see.
A unique and detailed self-portrait that will prompt readers to seek recordings of Gordon’s innovative works. The discography and lists of compositions and publications are thorough and helpful.
Louis’s (History of Violence) brilliant autobiographical novel set off fireworks when it was published in France. This fast page-turner will stir emotions and quicken heartbeats as Eddy creates his ideal self-image.
A richly detailed and thoughtful portrait of Candy Darling, an innovator during an era that, although on the cusp of change, had not yet evolved far enough beyond the limited boundaries of conformity.