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While Elvis generally credited gospel, R&B, and a few artists by name, he was fundamental in fusing aspects of American culture from disparate racial traditions when segregation was beginning to lift. His appropriation, explored here, remains polarizing.
Matheson is honest and self-effacing when discussing his personal life, and he provides valuable advice for those trying to get into the business. Yes, he does discuss John Belushi.
Hardcore Deadheads or those interested in the cultural transition from Beat to hippie may find something of value here. Those looking for a more focused history of the beginnings of the Grateful Dead should turn to the early chapters of David Browne’s excellent So Many Roads: The Life and Times of the Grateful Dead.