Xpress Reviews—First Look at New Books
-- Library Journal, 4/1/2007
Week of March 27
Fiction | Nonfiction | Audio Reviews | Graphic Novels
Fiction
Carcaterra, Lorenzo. Chasers. Ballantine. Apr. 2007. c.352p. ISBN 0-345-41098-X [ISBN 978-0-345-41098-6]. $25.95. F
Some exciting action sequences aren't enough to overcome the plodding start and constant melodrama in best-selling author Carcaterra's (Sleepers) latest effort. While this is not truly a sequel to his earlier Apaches, several characters do return from that novel to play prominent roles here. The chasers of the title refer to a group of ex-cops who miss the thrill of the chase. When one of the lead characters loses a niece to a gangland incident, he enlists several of his former officers to take down a leading drug kingpin. The story could have been interesting without too much dressing, but Carcaterra's writing at times is so earnest that it becomes unintentionally funny. The heartfelt speeches by some of the characters are often corny, and the drug-dealing baddies have backstories that we've read about a hundred times before. While this one might find readers owing to the author's popularity, it's not among his better efforts. For larger collections where Carcaterra's novels circulate.—Craig Shufelt, Fort McMurray P.L., Alta.
Greene, Jennifer & others. Like Mother, Like Daughter (but in a Good Way). Harlequin Next. May 2007. c. 288p. ISBN 0-373-88134-7 [ISBN 978-0-373-88134-5]. pap. $5.50. Contemporary Romance
With Mothers' Day just around the corner, this very special trilogy strikes at the core of what it means to be a mother. An adoptive mother's emotional reaction to her college-age daughter's search for her birth mother causes marital problems in Jennifer Greene's poignant "Born in My Heart." A workaholic, by-the-book tour guide is thrown for a loop—and eventually into her handsome partner's arms—when her much-married, free-spirited mother complicates her life by showing up on her Paris Da Vinci Code tour in Nancy Robards Thompson's funny, upbeat "Becoming My Mother, and Other Things I Learned from Jane Austen." Pithy obituaries from the insightful pen of the heroine preface each chapter in Peggy Webb's "The Long Distance Mother," a heartfelt story of an estranged daughter coming to terms with her mother's advancing Alzheimer's disease. A beautifully written anthology that will resonate across generations.—Kristin Ramsdell, California State Univ., Hayward
Hand, Elizabeth. Generation Loss. Small Beer. Apr. 2007. c.296p. ISBN 1-931520-21-6 [ISBN 978-1-931520-21-8]. $24. F
Cass Neary is a train wreck—an alcoholic, drug-abusing has-been photographer best known for her disturbing collection of punk-era photos, Dead Girls. While others left the punk scene behind, Cass remains defiant and angry, living in the same squalid New York City apartment and eking out a sullen existence. Then a distant acquaintance throws her a bone: interview Aphrodite Kamestos, legendary photographer, at her home on a remote Maine island. Cass snorts her last stash of crystal meth, grabs her ever-present bottle of Jack Daniels and her Konica, and heads off in search of the woman whose groundbreaking work first inspired her. Once there, Cass turns into an unlikely sleuth, piecing together a string of missing persons cases and exploring the edges of art and insanity. Cass is selfish, morbid, and damaged—yet surprisingly sympathetic. Noted science fiction/fantasy author Hand's (Saffron and Brimstone) writing is fluid and highly descriptive. Readers who embrace the punk ethos or those who do not object to rough language, violent imagery, and sexual situations will find much to admire here. For public libraries and photography collections.—Christine Perkins, Burlington P.L., WA
Montiel, Dito. Eddie Krumble Is the Clapper. Thunder's Mouth: Avalon, dist. by Publishers Group West. Mar. 2007. c.240p. ISBN 1-56025-963-9 [ISBN 978-1-56025-963-3]. pap. $14.95. F
In Montiel's fiction debut, his hapless hero is a 21st-century everyman. The educational system has failed Eddie Krumble, channeling him and best friend Chris into dead-end factory jobs. They flee this fate, preferring to pick up little fees as marketing research respondents and medical experiment guinea pigs. Finally leaving New York for Los Angeles, Eddie and Chris find pleasurable work as professional clappers for infomercials and unpopular television shows. Eddie even falls in love with the cashier in a gas station. However, when talk show host Jay Leno recognizes his face in various disguises in the audiences of different shows, Eddie's anonymity—the sine qua non of his position—is destroyed. How Eddie's life spins out of control and then eventually rights itself is narrated in a sweet, not unintelligent, voice. The reader can't help rooting for the hero, whose wry commentary on the commercial nature of everything makes his life a metaphor for our times. Montiel's engaging protagonist is a sure winner and should appeal to public library readers. [Montiel wrote and directed the film version of his acclaimed memoir, A Guide to Recognizing Your Saints.—Ed.]—Andrea Kempf, Johnson Cty. Community Coll. Lib., Overland Park, KS
Sharpe, Matthew. Jamestown. Soft Skull. Mar. 2007. c.320p. ISBN 1-933368-60-8 [ISBN 978-1-933368-60-3]. $25. F
Sharpe, author of Today Show Book Club pick The Sleeping Father, calls his latest "an ahistorical fantasia on a real event," which is a fair description. He has taken the story of the first permanent English settlement (which celebrates its 400th anniversary this year) and remixed it into a postmodern/postapocalyptic head trip with John Rolfe as an expert in interpretive dance and Pocahontas as an email-happy teenage diarist. Various characters from the "colonist" and "native" sides tell the story of a bus full of entrepreneurs and ex-cons who leave New York for Virginia just as the Chrysler Building collapses. They meet up with nativelike people, and though they both know that they would be better off cooperating, their mistrust of one other inevitably ends in tragedy. The multiple narrators showcase Sharpe's talent for wordplay, but the plot follows historical events so closely that there isn't much suspense, and the whole thing deflates about half way through. Jamestown is funny and refreshingly weird but ultimately loses its mojo. Recommended for larger literary fiction collections.—Jenne Bergstrom, San Diego Cty. Lib.
Smith, Wilbur. The Quest. Thomas Dunne Bks: St. Martin's. May 2007. c.512p. ISBN 0-312-31842-1 [ISBN 978-0-312-31842-0]. $27.95. F
In Smith's latest addition to his epic adventure series (Warlock; The Seventh Scroll; River God), Taita, the old—and possibly ageless—wise man and wizard of ancient Egypt, has been chosen to ferret out an evil female witch, Eos, who threatens the land with destruction. Accompanied by warrior Meren, Taita undertakes a quest up the Nile, where he encounters strange mythical creatures (man-eating toads) and warlike peoples and ultimately fights Eos in a confrontation between good and evil. In a series of events more evocative of fantasy than true historical fiction, Taita wields near supernatural powers, which will disappoint readers who prefer accuracy over mythology. Sex, violence, battles, gory deaths, and overly florid curses ("By Seth's sweaty testicles") abound, and fans of Taita and Smith's lush and richly detailed version of ancient Egypt will relish it all. Oh, yes, and the old eunuch also miraculously becomes young and virile. (Is there a place to sign up?) A fun romp nonetheless; recommended for popular fiction collections. [See Prepub Alert, LJ 1/07.]—Robert Conroy, Warren, MI
Figgis, Mike. Digital Filmmaking: The Essential Guide to the Digital Film Revolution. Faber & Faber. Apr. 2007. c.224p. ISBN 0-571-22625-6 [ISBN 978-0-571-22625-2]. pap. $13. FILM
Part memoir, part manifesto, part master class, this work by Figgis—the award-winning creator of Leaving Las Vegas and Timecode—stands apart from most books on digital filmmaking by going beyond the basics focusing on the practicalities and logistics of real film production. The wealth of information centers on the entire process of making a film: preproduction, lighting, camera movement, working with actors, postproduction, music, and even distribution. In his enjoyable and accessible narrative, Figgis exhorts his readers to embrace the potential of new technology without losing sight of artistic discipline and cooperation. It is exciting to see a book offering practical production advice from a theoretical rather than a highly technical manner. The author has done a lot of work with film students, and his book reads like an extended conversation with a mentor. This inexpensive work belongs in every guerilla filmmaker's grip kit. Highly recommended for all collections.—Christian Zabriskie, Bermuda National Lib.
Koff, Ashley. Recipes for IBS: Great-Tasting Recipes and Tips for Your Systems. Fair Winds: Quayside. 2007. 192p. photogs. index. ISBN 1-59233-230-7 [ISBN 978-1-59233-230-4]. $19.95. Cookery
Irritable bowel syndrome (IBS) affects ten to 20 percent of the American public and is the most common diagnosis made by gastroenterologists. IBS creates culinary challenges, and Koff, a registered dietitian, has developed a colorful cookbook to address those issues. Since several conditions are associated with IBS, Koff codes each recipe in terms of the symptoms it helps to prevent or treat. Recipes are coded for loose stools and diarrhea, fiber, motility and lubrication, indigestion, and "really bad days." While the coding is a bit startling at first, for those suffering from these symptoms, the recipes are a welcome aid in the kitchen; most feature a color photograph, are attractive and appetizing, and all include nutritional analysis, which make the work appealing to anyone interested in healthy eating. The Veggie Chips would appeal to any vegetarian, and the Spinach-Artichoke Dip would work at any party. Koff's work adds a different dimension to collections of health-related cookbooks.—Deborah Lee, Mississippi State Univ. Libs., Starkville
Clarke, Richard A. Breakpoint. 7 CDs. unabridged. 8 hrs. Books on Tape. 2007. ISBN 1-4159-3461-4 [ISBN 978-1-4159-3461-6]. $80; 5 cassettes. ISBN 1-4159-3460-6 [ISBN 978-1-4159-3460-9]. $60. F
On one terrible day not too far into the future, the very existence of the United States is threatened by a series of mysterious attacks. Computers crash, satellites whirl out of control, sophisticated aircraft shoot down enemy planes believed to be working with drones, and chips have been placed in "back door" positions in virtually every working computer in the country. The many agencies of Homeland Security form a task force to find out the origins of these attacks, but two New York police officers squeeze through the incredible bureaucracy to find some solid leads. This is the premise of Clarke's latest technothriller, which follows on the heels of the prophetic Against All Enemies. Unfortunately, the story rings hollow, wandering down too many techno alleys that will confuse most listeners. Reader Robertson Dean cannot quite overcome the lags in action, and his representations of characters leave them just as vapid as Clarke does in his prose. That said, there will be demand for this program among listeners who see the Chinese as the greatest future threat to America, but it will only serve to make another current book on technoterror, Michael Crichton's Next, even more popular. An optional purchase.—Joseph L. Carlson, Allan Hancock Coll., Lompoc, CA
Grimes, Martha. Dust. 8 CDs. unabridged. 10 hrs. Books on Tape. 2007. ISBN 978-1-4159-2612-3. $90; 6 cassettes. ISBN 1-4159-2611-5 [ISBN 978-1-4159-2611-6]. $72. F
Fans of Grimes's long-running mystery series may be disappointed by this 21st entry, which is different in a number of ways from previous Richard Jury books. Our protagonist is quietly celebrating the beginning of a relationship with forensic pathologist Dr. Phyllis Nancy when he receives a call from 13-year-old Benny Keegan. When Benny divulges that he has discovered a body in a hotel room, Richard and Phyllis rush to the scene, where Richard meets Detective Inspector Lu Aguilar. Sparks fly between the two, and from that point on, the mystery of who shot Billy Maples—a popular patron of area artists who was acting as museum caretaker of Lamb House, the historic home of Henry James—is frequently sidelined by this unexpected office romance. At the conclusion, multiple plot lines are left dangling, and listeners are left to guess the exact identity of the killer. Narrator John Lee does a workmanlike job, but sometimes it is difficult to distinguish between two male characters when they are engaged in conversation. Although a weaker entry in the Richard Jury series, Dust will be in demand at any library where the other books are popular.—Barbara Rhodes, Northeast Texas Lib. Syst., Garland
Kellerman, Jesse. Trouble. 10 CDs. unabridged. 12¾ hrs. Books on Tape. 2007. ISBN 1-4159-3711-7 [ISBN 978-1-4159-3711-2]. $90; 8 cassettes. ISBN 1-4159-3729-X [ISBN 978-1-4159-3729-7]. $70. F
Jonah Stem, an idealistic medical student on his way home from the hospital late one night, hears a woman pleading for help. She has been stabbed, and Jonah foolishly comes to her aid, unintentionally killing her assailant. Although Jonah is considered a hero by the press and is not prosecuted, the incident marks the beginning of trouble. The alleged victim of the attempted murder, beautiful Eve Gones, finds Jonah, and they begin a sexual relationship. When Jonah tries to end the affair as Eve's masochism becomes apparent, he is stalked by her. Events and people in this suspenseful novel are not as they appear at first glance. Scott Brick reads slowly, which only accentuates tedious passages like the lengthy description of a medical student's life and the gory, graphic detail of Eve's pain. Aside from this, Brick reads clearly and with enthusiasm. Recommended for the mystery section of public libraries.—Ilka Gordon, Park Synagogue Lib., Pepper Pike, OH
Tademy, Lalita. Red River. 11 CDs. unabridged. 13½ hrs. Books on Tape. 2007. ISBN 1-4159-3621-8 [ISBN 978-1-4159-3621-4]. 120; 8 cassettes. ISBN 1-4159-3708-7 [ISBN 978-1-4159-3708-2]. $100. F
Perseverance in the face of overwhelming difficulties characterizes the saga of the Tademy and Smith families, begun with Tademy's first novel, Cane River. In this entry of her fictionally enhanced family history, we pick up in Colfax, LA, in 1873, Reconstruction days that promise freedom and voting rights to blacks. Her two great-greatgrandfathers, together with local farmers, attempt to ensure that the officials they elected take office. The resulting standoff and massacre of more than 100 black men by white supremacists is remembered by local whites as the Colfax Riot of 1873; blacks call it the Colfax Massacre. Though the event forever changes them, the Smiths and Tademys remain committed to the struggle and improve their lives and those of their by buying land and opening a store and a long-awaited school for blacks despite floods, a hunting accident, and attacks by the Ku Klux Klan. While Tademy spends more time than necessary on the details of the massacre, which makes the story stall, she picks up the momentum later as she traces the families' lives up to 1937. Hers is an important story, one that needs continued telling, and she recounts it realistically, avoiding sentimentality. Bahni Turpin captures the lilting Louisiana dialect convincingly so the listening experience is pleasurable as well as informative. Recommended for large public libraries.—Nancy R. Ives, SUNY at Geneseo
Akimoto, Yasushi (text) & Mayumi Shihou (illus.). One Missed Call 1 + 2. Dark Horse. 2007. 264p. tr. from Japanese by Naomi Kokubo. ISBN 1-59307-747-5 [ISBN 978-1-59307-747-1]. pap. $14.95. F
In the great Japanese horror tradition, Akimoto and Shihou have created a truly creepy story, reminicent of the Japanese films Ringu (The Ring) and Ju-on (The Grudge). Imagine your cell phone sounding an unfamiliar ring tone. You answer it only to hear yourself in the future at the moment of your death. From the time showing on your cell, you now know the exact moment and method of your death—what you don't know is the steps leading up to it, which makes your death unavoidable. This is the situation in which a group of Japanese twentysomethings find themselves. The chase to stop the trail of death leads them to a horrifying discovery in a coal mine in Taiwan. This story, while a little confusing at times, is still hard to put down. The black-and-white images illustrate the story obliquely, capturing a mysterious feel. There is no swearing or sex, and the little violence is presented indirectly; however, there is a serious creep factor, which makes it unsuitable for anyone younger than teens, who will find the eeriness compelling. Although this manga was originally published two years ago in two volumes, this one-volume treatment is certainly worth considering for an established graphic novel collection. Highly recommended.—Diane Gallagher-Hayashi, Stelly's Sch., Saanich Sch. Dist., Saanichton, B.C.
Campbell, T. (text) & Amy Mebberson (illus.). Divalicious! Vol. 1. Tokyopop. Mar. 2007. 180p. ISBN 978-1-59816-704-7. pap. $9.99. F
Tina Young is the hot new thing. She sings hit songs; she dates hot guys; she participates in celebrity charity events; and she has legions of adorers. In this story, Tina and her smitten manager, Shaquille, experience all the ups and downs of celebrity living: while Tina reunites with her old band, develops her relationship with hip-hop star Chaddy G., and deals with an obsessed fangirl, poor Shaquille must sort out his growing affection for his charge and the dark intentions of a rival management agency. The story in this OEL manga falls neatly into eight "tracks," each chronicling a different instance in the life of a tween diva. The tales mesh nicely, functioning both as standalone stories and as part of an overall sequence (just like a good mix tape should). The book is rife with pop culture references in a delightful send-up of celebrity culture. Mebberson's artwork is a great marriage of North American comedic cartooning and Japanese-style formatting and detailing. She captures the vast breadth of teenage emotions, the cold calculation of a corporate boardroom, and everything in between—all with good humor and downright comedy. The book is rated for ages 13+ and is appropriate for young adult collections. As one might expect with teen pop stars, there is some salacious costuming, but it is on par with real life and not gratuitous. Younger teens will enjoy Tina's adventures, and older teens and adults will find laughs in addition to the story. Recommended.—Ruthanne Price, Vaughan Pub. Libs., Ont.
Ellis, Warren (text) & Adi Granov (illus.). Iron Man: Extremis. 160p. ISBN 0-7851-2258-3 [ISBN 978-0-7851-2258-6].
Knauf, Daniel & Charles Knauf & Patrick Zircher (illus.). Iron Man: Execute Program. 144p. ISBN 0-7851-1671-0 [ISBN 978-0-7851-1671-4].
ea. vol: Marvel. 2007. pap. $14.99. F
These first two collections from the newly relaunched Iron Man comic succeed in making the character relevant again in the Marvel Universe. The Iron Man series has always worked best when it mixed superheroics with the business world of Iron Man's alter ego, billionaire industrialist Tony Stark. Stark is portrayed here as a complex character, an optimistic inventor who, despite his altruistic intentions, must finance his research with lucrative government weapons contracts. The first collection, Extremis, is the better of the two and serves as an excellent starting point for readers who are unfamiliar with the character. Ellis uses the arc to revisit Iron Man's origin story (making a few cosmetic changes), and readers see the character gain significant new powers by the end. The new and improved Tony Stark can not only operate his Iron Man armor more efficiently, but he can also access any computer and electronic device around the world. The computer-enhanced art by Granov is an exceptional fit for this story.
In the second collection, a mysterious hacker is using Iron Man to execute war criminals and enemies of Tony Stark. This reads like a typical B-level comic story and should be considered only as a secondary purchase. The art by Zircher is serviceable, but compared with the first collection, this book falls flat. Media specialists should be warned of a recurring character who, on more than one occasion, reflects fondly on the illegal drugs he took in his youth (the drug use isn't shown or glamorized). With an Iron Man movie due in 2008, expect interest in this character to increase. Both of these books would be welcome additions to your library's Iron Man collection, with Extremis being the better of the two.—Michael Powers, Robert Van Wyck Jr. H.S., Queens, NY
Harlan Ellison's Dream Corridor. Vol. 2. Dark Horse. Mar. 2007. 167p. ISBN 1-59307-494-8 [ISBN 978-1-59307-494-4]. pap. $19.95. F
They don't make 'em like this anymore—and thank goodness. Self-styled sci-fi maverick Ellison has scraped the mold off his hoarier short pieces, only a few of which are strictly sf, and handed them over for adaptation by a raft of artists and writers. There are also a couple of latter-day stories inspired by paintings. The art is generally lively and proficient, with stand-out work by Gene Colan, Neal Adams, and Jay Lynch. But the stories—even the more recent ones—are strictly old hat. Subtlety has never been Ellison's hallmark, and starting with his typically verbose, ain't-I-a-caution introductions (themselves a resolutely old-fashioned device), he pounds the reader with Startling Ironies, dorm-room Deep Thoughts, and leaden humor. What wit and feeling manage to shine through are obscured by shallow characterization and plotting that reveals the limits of the author's imagination, or experience: in three stories, the villain is a contractor whose shoddy workmanship has led to disaster. Not recommended, except maybe for YA collections, though it's hard to imagine a contemporary teen being impressed by the same hokum that wowed 'em in the late 1950s.—Andrew Moore, Wayland P.L., MA
Kuper, Peter. Stop Forgetting To Remember. Crown. Jul. 2007. 208p. ISBN 978-0-307-33950-8. $19.95. F
Kuper (Metamorphosis, Sticks and Stones, and "Spy vs. Spy") offers a window on the world of a comic writer through the autobiography of his alter ego—and what self-respecting graphic novelist would be without one?—Walter Kurtz. Kurtz's adolescent angst and adult panic will resonate with most readers—his feelings of worry, failure, loneliness, and discontent are all played for maximum humor. Despite personal struggles and troubles in the wider world (9/11, the war in Iraq, and Katrina all make appearances), Kuper's outlook is far from depressing: babies are born, and life goes on; the past we agonize about brings us to where we are now, and there is reason to be hopeful about what lies ahead. As one of his characters admonishes, "Stop forgetting to remember, schmuck! You can't change the past, but you can ruin a perfectly good present worrying about the future!" Kuper keeps the pace up and the visuals energetic using comics within the comic, breaking the fourth wall to address the reader directly and leaving the black and white of the everyday world for rust tones to indicate imaginary elements, dreams, and memories. Line, layout, and movement in and beyond the panels are all stellar. With coarse language, nudity, and mature themes, this will be enjoyed most by an older teen and adult audience. Kuper's excellent art and strong storytelling should not be missed. Highly recommended.—Julia Cox, Penticton P.L., B.C.
Miyasaka, Kaho. Kare First Love. Vol. 10. Viz Media. 2006. 192p. tr. from Japanese by Akira Watanabe. ISBN 1-4215-0548-7 [ISBN 978-1-4215-0548-0]. pap. $9.99. F
This shojo romance follows high schoolers on a quest to find love and themselves. Hiding behind oversized eyeglasses, meek and self-conscious Karin Karino hates herself for never speaking up. Everything changes when she meets Aoi Kiriya, a student at a nearby boys' school. As Karin sheds her mousy appearance, her self-confidence rises. Kiriya, however, looks to have it all: popularity, good looks, and money. However, he is estranged from his parents and his older brother, a famous photographer who died in an accident, and Kiriya blames himself for his death. Kiriya is ordered to abandon his own pursuit of photography and take over the family business in his late brother's place. Hoping to build a future together, Karin and Kiriya find the courage to follow their dreams. Miyasaka's art is detailed and expressive. The sophisticated, deep storytelling is dramatic and thoughtful. Metamorphosis is symbolized in the butterfly imagery, Karin's transformation from gawky to pretty, and the transition from high school student to independent adult. Communication is another important theme. When words fail, Kiriya finally achieves expression through his photographs, and Karin through her music. Fans of Fuyumi Soryo's Mars will find a similar, less intense, more leisurely paced romance. Rated ages 13+ for mild language, mild sexuality, and suggestive situations, including partially nude characters lying under the covers together. At ten volumes total, this manga is recommended for teen shojo collections.—June Shimonishi, Torrance P.L., CA
Shinjo, Mayu. Sensual Phrase. Vol. 18. Viz Media. 2007. 192p. tr. from Japanese by Joe Yamazaki. ISBN 1-4215-0847-8 [ISBN 978-1-4215-0847-4]. pap. $9.99. F
Sakuya is the famous lead singer of the band Lucifer, and Aine is a normal high school girl who writes steamy lyrics for his songs. They fall in love, and throughout the course of this 18-volume series their tumultuous relationship survives the pressures of fame, ex-girlfriends, evil industry executives, malicious hypnosis, drug overdoses, crazed fans, and an occasional kidnapping. The true conclusion to the series occurs in Volume 17; Sakuya achieves crossover success in America and asks Aine to marry him. Volume 18 shows Sakuya and Aine a few years after their marriage, with cute son Shion, and Sakuya continues to have success in the music industry as a producer. Everyone from Lucifer gets together for the wedding of Atsuro, the guitarist for the band. Fans of the series will enjoy this peek into the future lives of the characters. Two backup stories unrelated to the main story line are also included in this volume—in "Riding Shotgun," Mami asks out nerdy Koji, who has a completely different personality outside school, and in "Summer Days Seventeen," Mai goes on a trip to the country with three boys and finds romance with one. Sensual Phase is rated Mature and has explicit content warnings printed on the front of most volumes, as there are scenes containing sex and nudity in the series. This entertaining and enjoyable soap opera is recommended for adult manga collections.—Anna Neatrour, Salt Lake City, UT
Tamura, Yumi. Basara. Vol. 22. Viz Media. 2007. 192p. tr. from Japanese by Lillian Olsen. ISBN 1-4215-0979-2 [ISBN 978-1-4215-0979-2]. pap. $9.99. F
Separated by fate, politics, and personal conviction, the lovers Sarasa, a young woman who assumed her brother's heroic destiny, and Shuri, the ruthless Red King, are now on opposite sides of the battlefield. Inside Kyoto, the journalist Taro was betrayed before he could bring word to Sarasa about a plot to overthrow the corrupt royal family, which would lead to the destruction of both armies, as well as the annihilation of Kyoto. Sarasa and Shuri must engage in battle to rescue their friends and to preserve their conflicting alliances. Basara is a postapocalyptic shojo series that would appeal to readers of epic fantasy or science fiction. The romance and separation of the Romeo and Juliet–style lovers have encouraged complex character development, especially on the part of Shuri, who has gone from despicable to almost noble. The manga-ka uses razor-sharp inks to delineate and distinguish each character and help keep the multitudes of allies and enemies sorted. The series is rated for older teens, and volumes have included depictions of martial violence, some implied sexual acts, and hints of torture. Recommended for public libraries with greedy readers of epic narratives.—Christine Gertz, Univ. of Alberta, Edmonton
Tanabe, Yellow. Kekkaishi. Vol. 8. Viz Media. 2007. 200p. tr. from Japanese by Yuko Sawada. ISBN 1-4215-0828-1 [ISBN 978-1-4215-0828-3]. pap. $9.99. F
Yoshimori and Tokine are rival kekkaishi, or barrier masters, who are pledged to protect mystical Karasumori Forest from demon ayakashi who want to absorb the site's power. When a mysterious band of powerful ayakashi attempts to take over the forest, Yoshimori vows to seal off permanently access to the forest's power before the ayakashi succeed. In Volume 8, Gen, a half-human, half-ayakashi operative sent by the Shadow Organization to help protect the forest, breaks a taboo by allowing his ayakashi side to take over during a fight. As Yoshimori works to keep Gen from being expelled from the Shadow Organization, Gen flashes back to his childhood and the first time the ayakashi within him manifested itself. Full of all the action, adventure, humor, angst, and rivalry that make Bleach such a crossover hit, Kekkaishi is just as much fun, only aimed at a slightly younger audience. With clear yet beautifully detailed artwork, easily identifiable characters, and only mild language and minimal fan service, this series is a great transition story for younger teens moving toward more intricate story lines. Highly recommended for teen collections.—Eva Volin, Alameda Free Lib., CA
Yoshinaga, Fumi. Ichigenme...The First Class Is Civil Law. Vol. 1. 801 Media: Digital Manga. Mar. 2007. 239p. tr. from Japanese by Andrew Marshall. ISBN 1-934129-01-1 [ISBN 978-1-934129-01-2]. pap. $15.95. F
Hardworking Tamiya joins a law zemi (seminar) his third year at Teinou University, and he quickly realizes he's out of place: all of the other students are rich, privileged, and lazy, and the zemi is notorious for being an easy A. At the zemi launch party, Tohdou, another third year, surprises him with a kiss that Tamiya cannot forget. Tamiya's honesty and forthrightness impress Tohdou, who seems unconcerned about everything but is actually looking for something of substance in his frivolous life. Tohdou pursues Tamiya in an nonconfrontational way, and they become friends and sometime lovers, though Tamiya is reluctant to put a name to his feelings. Though this volume is lengthy, not much happens—while there are subplots dealing with scandalous rumors the zemi students tell about one other and a brief second love interest in the short-term substitute teacher, characters mostly coast along without much meaningful conflict. Characters are distinctive, with long, skinny bodies, large hands, and detailed faces that sometimes look awkward and sometimes quite realistic. The panels are often large with lots of negative space, which lends a soft feel to the sex scenes. Fans of Antique Bakery (Vol. 4, LJ 11/15/06) may want to check out this mild romance; for readers ages 18+.—Krista Hutley, Lakeside Sch., Seattle
Yumeka, Sumomo. The Day I Become a Butterfly. Juné: Digital Manga. Mar. 2007. 159p. tr. from Japanese by Sachiko Sato. ISBN 1-56970-869-X [ISBN 978-1-56970-869-9]. pap. $12.95. F
Dying of disease, mute, self-destructive, or suffering home abuse, the broken characters of each story in this anthology experience love mixed with tragedy. Mikami can see when death will come, but he still falls in love with terminally ill Uka. Unari and Masariya fall in love because Unari always understands, even though Masariya cannot speak, how much Masariya longs for someone to take him away. Kawashima falls in love with motherless Suzu because his mother looks after her, finally confessing as they both face leaving for college. In a parallel tale, Suzu's friend Tokiko sells her body and falls for a man still devoted to his comatose wife, until she realizes Suzu knows. Wanting to be the person her beloved Suzu believes she can be gives her strength to free herself. These and other tales in this anthology focus on loss, transition, and the desire to fly away with the one you love. Suzu and Tokiko's boy/girl stories seem odd in a book marketed as yaoi, and it took repeated readings to figure out that some of the other tales were boy/boy, as Yumeka (Same Cell Organism, Xpress Reviews, 8/8/06) draws some of the boys with very long hair and nearly identical in face and shape to the girls. The art is pretty, especially all the wistful expressions, but not distinctive. It was hard to tell many of characters apart. All the stories mix melancholy with a touch of hope, but these unhappy characters won't appeal to everyone.—Teresa Copeland, Yuma Cty. Lib. Dist. AZ
Week of March 20
Fiction | Nonfiction | Graphic Novels
Fiction
Hornby, Simonetta Agnello. The Marchesa. Farrar. Mar. 2007. 336p. tr. from Italian by Alastair McEwen. ISBN 0-374-18245-0 [ISBN 978-0-374-18245-8]. $25. F
In this wonderful follow-up to her acclaimed novel The Almond Picker, Hornby again delves into the lives of an Italian family—this time the baronial Safamita family of Sicily. Focusing on Costanza Safamita, the sole female heir to her father's fortune, the author paints a dramatic family saga rich with love, loss, deceit, and hope. Costanza, shunned by her beloved mother and adored and protected by her father, learns early on what she must do to keep up the appearances of her place in society. Witnessing the casting out of her older brother from the family and the wild ways of her younger brother, she realizes that she will be the one to carry on her family's title. She finds herself halfheartedly searching for a husband among Palermo's aristocracy. Falling in love with a marchese and marrying him, she is thrust into a sometimes loveless and sometimes desire-filled relationship. All of these things make for an engrossing tale of one young woman's perspective on a dramatic time in Italian history. Highly recommended for all public libraries.—Leann Restaino, Girard, OH
Nonfiction
Barish, Eileen. Bestspasusa: The Guidebook to Luxury Resort, Hotel, and Destination Spas. Bestspasusa. Mar. 2007. c.264p. photogs. index. glossary. ISBN 978-1-884465-27-7. pap. $24.95. TRAV
For those who have dreamed of a luxurious, hedonistic, and undeniably expensive getaway to an exclusive spa, travel writer Barish (Lodging in France's Monasteries) has compiled a wish book. Selections from three types of spas—resort, destination, and hotel—are highlighted in short articles that are long on sumptuous color photos and short on prose. Half of the 41 spas listed are in Arizona, California, and Florida. Contact information, with web sites, is included, as well as listings of the signature treatments, number of rooms, and other amenities. Potential pamperees may be disappointed by the lack of information about dining options and available classes. Introductory articles on what to wear and what to expect at your spa vacation are brief, but there is a detailed explanation of the many therapies and treatments available, including a Chardonnay pedicure, Balinese massage, and vegetable clay wraps. No costs are listed, lest the reader feel faint and need a restorative herbal therapy. Purchase where there is interest in upscale vacation destinations.—Susan Belsky, Oshkosh P.L., WI
Glancy, Diane. Asylum in the Grasslands. Univ. of Arizona. 2007. 106p. ISBN 0-8165-2571-4 [ISBN 978-0-8165-2571-3]. pap. $15.95. POETRY
Glancy, author of more than 30 books, writes eloquently and knowingly of her Cherokee heritage, and it is the threat to these roots, the comfort of ancestors, the spiritual journey, and the nature and power of faith that concern her in these new poems. Glancy is adamant about maintaining her grasp on the past and heralding the present: "The spirits of the ancestors migrate. They drink the last lick of yellow light from the creek. I hear them like wind in the cornstalks." With lyrics and narratives in long and short poems and prose, she depicts Cherokee life, commonplace and complex, with a subtle, loving nuance and a welcome lack of affectation. Glancy has established herself as one of the country's most versatile and prolific Native American writers. In a voice that is both economical and eloquent, sophisticated as well as exhilarating, she articulates clearly the culture within a culture of this New World. Recommended for collections of contemporary American poetry and Native American literature.—Louis McKee, Painted Bride Arts Ctr., Philadelphia
Hauer, Rutger with Patrick Quinlan. All Those Moments: Stories of Heroes, Villains, Replicants, and Blade Runners. HarperEntertainment: HarperCollins. Apr. 2007. c.240p. ISBN 0-06-113389-2 [ISBN 978-0-06-113389-3]. $24.95. FILM
For this reviewer's money, Hauer is the scariest, sexiest psycho killer to hitch a ride ever; few actors today can convincingly portray a handsome hero in one film and a vile villain in the next as Hauer did in such films as Ladyhawke, Blade Runner, and the 1986 cult classic The Hitcher. Now, in his autobiography, he briefly describes his personal life, choosing instead to focus on his long career. His use of anecdote is humorous yet sometimes harrowing. Once while shooting a film in the Australian Outback, Hauer crept away from the crew to ride his motorbike and quickly became lost chasing a kangaroo. With his matter-of-fact, concise writing style, Hauer offers up adventures that are as entertaining as his films. This sensitive work shows another side of the dedicated, passionate actor. Hauer is donating all proceeds to the Starfish Association for people living with AIDS. Recommended for larger libraries where there is an interest in celebrity biographies.—Rosalind Dayen, South Regional Lib., Broward Cty., FL
Healy, Bernadine, M.D. Living Time: Faith and Facts To Transform Your Cancer Journey. Bantam. Mar. 2007. c.352p. index. ISBN 978-0-553-80461-4. $24.
Nathan, David G., M.D. The Cancer Treatment Revolution: How Smart Drugs and Other New Therapies Are Renewing Our Hope and Changing the Face of Medicine. Wiley. Apr. 2007. c.272p. bibliog. index. ISBN 978-0-471-96454-0. $24.95. HEALTH
Both of these books explore personal stories of battles with cancer and share information on the nature of the disease, new treatments, and research efforts. It is estimated that 65 percent of those diagnosed with cancer will be disease-free five years after treatment and will continue to live disease-free. Healy (former director, National Insts. of Health; health editor, US News and World Report) begins with her own story and then describes what cancer is, how it works, and how it can be defeated. She explains how advances in research and technology result in greater accuracy in pinpointing tumors and limited side effects of therapy. In addition, she offers advice to patients and their families on finding information and support and securing the best possible care, and she advocates for increasing the pace of research.
Nathan (pediatrics & medicine, Harvard Medical Sch.; former president, Dana-Farber Inst.) takes a look at cancer advances over the past 50 years. An opening chapter explains how cancer arises and the complexity of the disease. Through the personal stories of three patients, their treatment plans, and the risks associated with the specific treatments, readers learn of the history of treatment, successes and failures of therapy, cancer genetics, gene-based therapies, and promising new drugs. Both books emphasize that many patients will enter complete remission. Readers looking for inspiring cancer stories more than a handy reference to the disease would fare very well with either Healy's or Nathan's book; recommended for public libraries. (Indexes not seen.)—Jodith Janes, Cleveland Clinic Fdn. Lib., OH
Leonard, Kendra Preston. The Conservatoire Américain: A History. Scarecrow. 2007. c.312p. photogs. bibliog. index. ISBN 0-8108-5732-4 [ISBN 978-0-8108-5732-2]. pap. $55. MUSIC
The Conservatoire Américain at the Palais de Fontainebleau was founded in 1921 as a declaration of the end of German-dominated music instruction of the late 19th century. The French musical institution offered elite instruction to American composers, pianists, singers, and instrumentalists. Independent scholar and musicologist Leonard's ambitious first book is a comprehensive, unique, and detailed history of the conservatoire and its famed students (e.g., Aaron Copland, Virgil Thompson, Elliott Carter), instructors (e.g., Nadia Boulanger, Charles-Marie Widor, Maurice Ravel), and competitions. From its inception, the conservatoire encouraged women to pursue solo musical careers, highly unusual for the time. Leonard draws from archival materials as well as personal correspondence, interviews, and first-person narratives with students and faculty in her accessible discussions of 20th-century French repertoire, pedagogical approaches, and the influence French training had on American musicians' performance, interpretation, and composition. Recommended for large public and academic collections that specialize in music.—Elizabeth M. Wavle, Elmira Coll. Lib., NY
McClanahan, Rue. My First Five Husbands...and the Ones Who Got Away. Broadway. Apr. 2007. c.352p. ISBN 0-7679-2676-5 [ISBN 978-0-7679-2676-8]. $24.95. TV
Is it this reviewer, or are celebrities airing more dirty laundry than usual? Between Ellen Burstyn's tale of incest and abuse (Lessons in Becoming Myself) and Rupert Everett's gossipy, self-deprecating take on life (Red Carpets and Other Banana Skins), celebrity autobiographies have gone from puff pieces to confessionals. Now Golden Girl McClanahan (who played Southern flirt Blanche Devereaux) adds her sexual escapades to the mix. However, unlike the seriousness of Burstyn's book and the over–the-top tone of Everett's, this memoir is an easygoing, entertaining chronicle of a working actress who is just grateful for the opportunities she has had. Hers is a familiar story: small-town girl tries to make it in New York and, after many stops and starts, finally gets a break. It was a hard slog—Broadway shows here and there, soap operas, and TV guest appearances—but being cast in TV's Maude was the break that led to Golden Girls and an Emmy. McClanahan's folksy, humorous tone is like a night out with the Golden Girls. Fans of the show and women of a certain age will lap it up. Highly recommended. [See Prepub Alert, LJ 2/15/07.]—Rosellen Brewer, Sno-Isle Libs., Marysville, WA
Marchand, Philip. Ghost Empire: How the French Almost Conquered North America. Praeger. Mar. 2007. c.480p. maps. bibliog. index. ISBN 0-275-99417-1 [ISBN 978-0-275-99417-4]. $49.95. HIST
Marchand (books columnist, Toronto Star) retraces the route of the French explorer LaSalle through the Great Lakes, down the Mississippi, and finally to the Texas Gulf Coast. On the way, he talks to historians, historical re-enactors, and people with French ancestry. Here, he mixes descriptions of historic sites with accounts of local bars. The result is an extended essay and travelog in the mold of Paul Theroux that creates an insightful portrait of the unique role of the French in North America. He sheds light particularly on the way the French adapted to the wilderness and how they interacted with various Native American tribes. Marchand shows that these local influences on the French, in combination with their adherence to Catholicism, formed the notable character of their modern-day descendents, from French Canadian to Louisiana Cajun. Marchand offers opinions on how the French adapted to North America, in which places their influence may still be discerned, and what makes their various descendant groups distinct. An appropriate addition for most public and other libraries collecting on the French in North America.—Lawrence R. Maxted, Gannon Univ., Erie, PA
Ramin, Cathryn Jakobson. Carved in Sand: When Attention Fails and Memory Fades in Midlife. HarperCollins. Apr. 2007. c.310p. bibliog. index. ISBN 0-06-059869-7 [ISBN 978-0-06-059869-3]. $24.95. PSYCH
When aging baby boomers get together, one of the current topics of discussion is often "Who has had the most embarrassing memory lapse?" While the tendency to forget the car keys or the kids may be the stuff of party chitchat for most, journalist Ramin found that in her early forties she was increasingly unable to manage daily life and was fearful that she was developing Alzheimer's. She undertook a quest to discover whether her mental lapses could be cured and if they portended the dreaded "A" word. What she found was that a number of subclinical conditions can cause memory and attention problems in adults. Minor head trauma, sluggish thyroids, allergies, sleep problems, and vitamin deficiencies are all implicated and treatable. Ramin ends up in much better shape, and the rest of us will have gotten good leads for doing something other than just accepting the inevitable. (There is a good bibliography for further study.) Highly recommended for public libraries.—Mary Ann Hughes, Neill P.L., Pullman, WA
Chabot, Jacob. The Mighty Skullboy Army. Dark Horse. 2007. 88p. ISBN 1-59307-629-0 [ISBN 978-1-59307-629-0]. pap. $9.95. F
Whether he is staging a corporate takeover or plotting to extend recess indefinitely, Skullboy (and his army) shouldn't be underestimated. Our skull-headed hero sports a suit and large black bowtie. His mighty army is made up of Unit One, a robot armed with a multitude of gadgets, and Unit Two, a highly intelligent monkey. The black-and-white cartoons—featuring these three as well as fire drills, a bully, and leaf-finding assignments—play straight to the elementary school set. Elements like a pawnshop, Skullboy's intern, and a few instances of betting and firearm use suggest an older audience, though. The entire collection feels somewhat like a cousin of Bill Waterson's Calvin and Hobbes, with the fantasy/dream and mundane elements mixed together. The Mighty Skullboy Army faces giant crustaceans and psychotic tubers with the same aplomb and ineptitude that they deal with flocks of pigeons and classmate Booger Ralph. Older and newer pieces are included, so the artwork varies somewhat, but the gags keep coming. Some highlights include the short piece featuring the aforementioned turnip and a single strip of our hero inexplicably riding an ostrich through a subway car. This isn't high art by any means, but it is a lot of fun and will appeal to a wide age range.—Eric Norton, McMillan Memorial Lib., Wisconsin Rapids
David, Peter (text) & Ryan Sook & Dennis Calero & others (illus.). X-Factor. Vol. 1: The Longest Night. Marvel. 2007. 144p. ISBN 0-7851-1817-9 [ISBN 978-0-7851-1817-6]. pap. $14.99. F
This volume marks the triumphant return of writer extraordinaire David to a team of mutants that he scripted for several ongoing issues during the early 1990s. A dark, brooding, noirish tone pervades this new arc, with moody art by Sook and Calero and a muted color palette by Jose Villarrubia that perfectly suits the writing. Jamie Madrox, the Multiple Man, has founded a detective agency called X-Factor in Mutant Town. Aided by fellow mutants Siryn, Strong Guy, Wolfsbane, and Monet, Madrox's team encounters opposition from a "rival" detective agency, Singularity Investigations, led by a mysterious, snide, villainous character named Damian Tryp. Tense, dramatic moments, including an attempted suicide, riots, murders, electrocution, and immolation, are tempered by impeccably timed instances of comic relief—a David hallmark. Issues 1–6 comprise stellar setups for an ongoing series, including recruitment of new teammates Rictor (a former mutant who controlled earthquakes) and inscrutable Layla, who seems to possess the ability to predict and alter the future. Jam-packed with more bickering teammates, subtler undercurrents, and deeper themes than those typically found in superhero comics, this volume blends together several ongoing plots while injecting humor, action, adventure, and intrigue. A bit darker than normal superhero fare and a touch more violent, yet lacking anything terribly objectionable; highly recommended.—Jeff Hunter, Royal Oak, MI
Ellis, Warren (text) & Stuart Immonen (illus.). Nextwave: Agents of H.A.T.E. Vol. 1: This Is What They Want. Marvel. 2007. 144p. ISBN 0-7851-1909-4 [ISBN 978-0-7851-1909-8]. pap. $14.99. F
The Nextwave Squad is a handpicked team of superheroes formerly employed by the Highest Anti-Terrorism Effort (H.A.T.E.). Upon learning that H.A.T.E. was actually helping a terrorist organization to test its Unusual Weapons of Mass Destruction, the five members of Nextwave—radiation-wielding Monica Rambeau, robot Aaron Stack, monster hunter Elsa Bloodstone, explosion-causing mutant Tabby Smith, and indestructible powerhouse The Captain—went rogue and now fight to bring down the terrorist front, Beyond Corporation. This volume collects the first six issues of the series as the Nextwave Squad stops a dragon unleashed by the Beyond Corporation from destroying a North Dakota town, halts the Illinois rampage of a corrupt cop possessed by a giant robot, and sabotages a Wyoming farm where the Beyond Corporation grows its "Human Resources," plant-machine hybrid foot soldiers. On the climactic third mission, H.A.T.E. catches up to its defectors and turns the organization's entire arsenal on the Nextwave Squad. The stories are nonstop action, with plenty of explosions. Some ironic commentary sneaks through, satirizing mainstays of comic book universes from the secret origins of superheroes to mad science weapons development, but for the most part this story remains a giddy romp of delicious brain candy. Labeled with a parental advisory, it contains numerous dialog references to drinking, drugs, and sex, in addition to plenty of depictions of violence and some cross-dressing. Recommended for older teens and up.—Dale W. Glaser, Sterling, VA
Fujima, Takuya. Free Collars Kingdom. Vol. 1. Del Rey: Ballantine. 2007. 240p. tr. from Japanese by William Flanagan. ISBN 978-0-345-49265-4. pap. $10.95. F
Cyan is a small cat with pointy ears, a lovely tail, and a caring owner named Kokoro, but when Kokoro's illness takes him away from his beloved pet, Cyan is put out by Kokoro's mother. What can a small cat do alone in the harsh world of stray cats? Enter the Free Collars—cats who renounced their pet status and removed their collars to pursue their Wild Spirits. But in the meantime, they must protect their territory in the Nyan-Nyans Mansion in East Ikebukuro against the Siam Army from West Ikebukuro. And they just might be able to use Cyan's help. Fujima's artwork is typical black-and-white manga—big eyes, huge smiles, elaborate costumes—well executed but nothing revolutionary. Fujima's cats are drawn as humans with ears, tails, and pointy teeth. Each is given characteristics distinct to its breed and clothing distinct to its personality. The action sequences are game inspired, and some of Cyan's fighting techniques are quite clever. This title contains lots of extras that will help English-speaking audiences understand uniquely Japanese aspects of manga. Rated for ages 16+; the action is mildly violent, and despite the cutesiness of the cats, there are sexually suggestive overtones. This particular volume might not warrant the rating, but it is likely that future volumes will earn it. A fun read but an optional purchase for larger collections.—Ruthanne Price, Vaughan P.L.s, Ont.
Fukushima, Haruka. Kedamono Damono. Vol. 1. Tokyopop. Mar. 2007. 177p. tr. from Japanese by Michelle Kobayashi. ISBN 978-1-59816-823-5. pap. $9.99. F
The first volume of this shouji ai series (as in, girl-on-girl action) features a rather confused girl named Konatsu, the manager of the boys' basketball team. She feels comfortable with teammate Haruki, but Haruki is a shy male by day and a sexually aggressive girl at night. Haruko (the female version) and Konatsu have frequent bouts of lovemaking, some of which Haruki doesn't remember the next day. Konatsu cannot figure out why she is so much more attracted to Haruko; Haruki is so awkward as a boy that he irritates Konatsu. The issue of lesbianism is not directly addressed because the two characters are much more interested in acting on their feelings than talking about them. This volume seems almost to exist in another world, with very few references to real-life issues or external events. Konatsu's immediate, enthusiastic entrée into a lesbian relationship seems rather out of the blue. It can be difficult to differentiate the characters, who all look much the same. This may fill a need for girls questioning their sexuality but not wanting to do so in any intense way. For older teens owing to fairly explicit (albeit romantically inked) sex. Good for most collections.—B. Allison Gray, John Jermain Memorial Lib., Sag Harbor, NY
Kim, Seyoung. Boy Princess. Vol. 5. Netcomics. 2007. 170p. tr. from Korean by Jeanne. ISBN 978-1-60009-034-9. pap. $9.99. F
When his sister, Elena, elopes with the stable boy two days before her wedding, Prince Nicole is dressed up as a woman and sent in her place to marry Jed, prince of a powerful neighboring country. Jed, the second son, must now work to keep his new "wife" safe from the political intrigues of the castle and a healing tribe who has a mysterious connection to the royal family. In Volume 5, Nicole and Elena switch places once again in order to protect Elena's unborn child, and Jed finds it harder to resist his attraction to Prince Nicole. The apothecary Shahi returns to his village to keep an eye on Jed and Nicole, who have traveled to the village to learn the truth about Jed's mother. Meanwhile, Reiny returns to Glewhin's kingdom to further her schemes. While the cross-dressing premise of the story is clichéd, the setting and political intrigue keep it fresh and exciting. The artwork is lush and romantic, with plenty of beautiful long-haired boys posing manfully—perfect for a boys' love fairy tale. Sexual situations are suggested rather than shown, which keeps the series appropriate for teen collections. Recommended for libraries where boys' love books are popular.—Eva Volin, Alameda Free Lib., CA
Kirkman, Robert (text) & Charlie Adlard & Cliff Rathburn (illus.). The Walking Dead. Vol. 5: The Best Defense. Image Comics. 2006. 136p. ISBN 1-58240-612-X [ISBN 978-1-58240-612-1]. pap. $12.99. F
The latest volume in Kirkman's zombie magnum opus finds a ragtag group of survivors led by former cop Rick Grimes holed up in an abandoned penitentiary of all places. The world has been overrun by the undead, and our motley band has been searching for a safe haven. In this volume, the pacing picks up, and a fantastic villain is introduced—the insane "Governor" fills the role of central antagonist. This ongoing series is a more cerebral take on a static zombie horror genre, and it does live up to all the critical acclaim and hype. Characterization and the relationships among the survivors, not the brains and gore (although there is a healthy dose), are centerpieces. The characters' transformations after their ordeals is both subtle and convincing, raising the question: What if the utmost desire of these people—a chance to return to normalcy—is no longer possible? The artwork has remained consistently excellent throughout, and Adlard's darker tones and adept use of shadows lend to the overall atmosphere. The tempo in the action sequences is superb, whether it's sudden or drawn out to maximize a deep sense of horror. Highly recommended for any collection looking to expand its horror titles. Language, adult situations, and violence make this one for adults.—George Sun, New York
Nightow, Yasuhiro. Trigun Maximum. Vol. 11. Dark Horse. 2007. 192p. tr. from Japanese by Studio Cutie. ISBN 1-59307-674-6 [ISBN 978-1-59307-674-0]. pap. $9.95. F
The Trigun saga has grown progressively more serious and more science fictional since its beginnings as a space Western about Vash, a remarkable gunslinger on a frontier world. His speed and accuracy are things of legend, as is his hairdo. By this volume, the fate of a world and possibly humankind are at stake: one of humanity's own creations, living power generators called "plants," has turned against its maker. A fleet of humans is approaching, but are they rescuers, refugees, or yet another danger? The story is turning dark, as is Vash's hair—a sign that his life force is being used up by his ongoing fight to save the world he loves. Vash's own brother is on one of the other sides of this complex conflict. Some readers will be turned off by the over-the-top violence and exaggerated art style. This series will appeal to the same audiences as Battlestar Galactica or Firefly. For teen or adult collections owing to violence.—Nick Smith, Pasadena P.L., CA
Omote, Sora. Metamo Kiss. Vol. 1. Tokyopop. Mar. 2007. 197p. tr. from Japanese by Alexis Kirsch. ISBN 978-1-59816-827-3. pap. $9.99. F
When Kohamaru meets a girl at a train station, his life changes in an instant. He stumbles into Nanao and accidentally kisses her, which causes them to switch bodies magically. Boy-crazy Nanao sends Kohamaru on a date she can't miss with Konatsu, a boy who turns out to be Kohamaru's twin brother whom he never knew he had. Kohamaru discovers that the body-switching ability is a family trait, and if he and Nanao wait too long to switch back, only a kiss from his brother Konatsu can reverse the transformation. To complicate matters further, Konatsu is unsympathetic and uncooperative, and Kohamaru develops a crush on Nanao. Confused? The characters share the readers' confusion as to who is in what body and which magical rules apply, bewilderment that makes the plot lines and improbable situations even funnier. This is a laugh-out-loud romantic comedy that will appeal to fans of the popular Fruits Basket series (Vol. 1, LJ 5/1/04) and other funny shojo manga. The artwork is light and cartoony, showcasing lots of visual humor and inside jokes for dedicated manga fans. Rated for teens ages 13+ because of mild language and body-switching bathroom embarrassment. Recommended.—Emily Williams, Metropolitan Lib. Syst., Oklahoma City
Togashi, Yoshihiro. YuYu Hakusho. Vol. 11. Viz Media. 2006. 187p. tr. from Japanese by Lillian Olsen. ISBN 1-4215-0696-3 [ISBN 978-1-4215-0696-8]. pap. $7.95. F
Tough-guy punk Yusuke Urameshi died heroically in a traffic accident one day, surprising everyone—including the junior god of death, Koenma. Koenma sends ferry girl Botan to guide Yusuke's soul back to life. Then, Yusuke finds out he's been drafted into Koenma's service as a spirit detective and given special powers. Along with his archrival/friend Kuwabara, Yusuke starts dealing with demons that have escaped into the human world. Along the way, he picks up Kurama and Hiei to join the team and ends up the student of master spiritual warrior Genkai. After the four become famous as demon fighters, they are forced into a team tournament for demons in Volume 6, with the prize being anything they wish, but no one expects them to survive. By Volume 11, they've reached the finals against the high-powered team Toguro. Like a lot of shonen series, fights are long, with named attacks and plenty of standing around and boasting. Togashi writes great characters—even the minor players have clear personalities, and Yusuke is such a fun punk you can't help but root for him; the dialog is clever enough to keep the standard formats interesting. The art is expressive, detailed, and often beautiful. With several strong females, including Yusuke's almost girlfriend, Keiko, and pretty boys, the series is just as popular with girls as boys.—Teresa Copeland, Yuma Cty. Lib. Dist., AZ
Togashi, Toshihiro. Hunter x Hunter. Vol. 13. Viz Media. Mar. 2007. 200p. tr. from Japanese by Lillian Olsen. ISBN 1-4215-1069-3 [ISBN 978-1-4215-1069-9]. pap. $7.99. F
Hunters seek rare items and hard-to-find people, and Gon's father, Ging, is one of the best—but Gon has never met him. To find him, Gon enters the dangerous hunter's license exam, where he meets Leorio, a would-be doctor in need of money; Killua, rebellious heir to an assassin family; and Kurapika, out for revenge on the Phantom Troupe that killed his clan. The four become friends during the exam—they're among the few survivors. Afterward, Killua and Gon learn of a video game created by Gon's father that only hunters can play by literally entering it. Chasing after the game leads them through a tournament and to an underground auction where they run into their other friends and enemies, including the Phantom Troupe. By Volume 13, they're all closer to achieving their goals, with Kurapika defeating some of the troupe and Gon and Killua finally in the game. Plenty of violent battles and special techniques—typical of fantasy martial arts manga—fill the pages, though the fights are not as lengthy as in Togashi's other work, YuYu Hakusho (see review above), and the plots, world, and characters are much more complex. Togashi can write great characters one wants to root for, with better art than many shonen authors, and his pacing has improved in this series.—Teresa Copeland, Yuma Cty. Lib. Dist., AZ
Ueda, Miwa. Peach Girl: Sae's Story. Vol. 1. Tokyopop. 2006. 216p. tr. from Japanese by Ray Yoshimoto. ISBN 1-59816-517-8 [ISBN 978-1-59816-517-3]. pap. $9.99. F
In Ueda's Peach Girl (Vol. 4, LJ 1/04), Sae was protagonist Momo Adachi's best friend and worst enemy. Sae was conniving, back-stabbing, and selfish—and in Sae's Story, the third Peach Girl series (after Peach Girl: Change of Heart), she still is. While Momo and her boyfriend, Kiley, move on to college, Sae gets to retake senior year—having skipped too many classes to graduate. Not that she's making any big changes in her lifestyle: she skips class even more than she did before, preferring to hunt down "gems"—attractive male college students—and go to clubs. Sae is determined to enjoy college life, even if she's not in college. But, the arrival of Sae's big-eared, well-intentioned childhood sweetheart, Kanji, reminds her of her sickly childhood; she rebuffs his advances, picking up with a fellow model (yes, she is a model), practically getting him arrested, and revealing climactically that she gave his dog its limp. Sae fits rather well into the current wave of "mean girl" protagonists, but Ueda manages something unusual: she doesn't make Sae completely hateable. The "extra chapter" at the end, which summarizes Momo and Sae's relationship (sufficient background for those new to Peach Girl), deposits the seed of hope that Sae might, someday, become a better person. The attractive, confident art suits the strong characters and lighthearted high school drama. Some sexuality and themes recommend the series to ages 16+.—Rebecca Schaffner, Saline Dist. Lib., MI
See the March 15th Xpress Reviews.
