Although little is known today except through fragments of his work, the Greek writer Callimachus (about 300 BCE) was considered a master poet and innovator who often reinvented the past by putting himself and his contemporary circumstances into poems (something frowned on at the time). Burt (
Close Calls with Nonsense) reinvents Callimachus’s poems through cuts, expanded metaphors, new metaphors, and the addition of her personal and contemporary circumstances. A poet, critic, Harvard professor, and trans activist, Burt is something of a shape-shifter, as are the poems in this collection. In an “Imitator’s Note,” she says she wants to create a new Callimachus, “one who feels close to the Greek original and like a fresh, coherent, wise, entertaining, and…humorous poet.” These poems are mostly short epigrams with a few hymns to the gods—the longest (and weakest) poem being a hymn to Artemis, the girl god. Another poem comments on losing a friend’s laptop and turns into a hymn thanking Hermes for finding it although it took a long time.
VERDICT According to this collection’s foreword, Callimachus never found his ideal translator
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