The book explores nearly every aspect and example of Black horror cinema, from recurring one-dimensional archetypes to surgical dissections of relevant films, but its overall message resonates. Black voices and creatives in cinema have made strides in representation, but there is clearly more work to do.
Abdurraqib is one of the preeminent cultural critics of our time, and his insightful essays give listeners much to consider, so long as the narration style works for them.
This well-produced, essential account of hip-hop music and culture will appeal to the genre’s many fans, as well as listeners who enjoy popular culture and oral history.
A climate-charged spoof of filmmaking superficiality that solidly entertains but doesn’t quite soar. Directed in its excellent audio format by Anna Lyse Erikson and part of L.A. Theatre Works’ “Relativity Series” of science-themed plays.
Hardcore house music fanatics will enjoy this book’s discussions on various clubs, drum machines, and acetates. Give it to readers who fondly remember the genre.
Shea’s matter-of-fact journalistic style prevents sensationalism from overtaking this study of the Mamas & the Papas’ powerful influence and importance.
Waldman’s fun guide brings together a fascinating cast of experts to help readers discover the real-life influences behind science-fiction movies and TV shows.
A fun collection of Beatles-related information that adds to the canon. Readers looking to see what extra work the group from Liverpool did outside of their own recordings will find it in this title.
This helpful overview of ’80s and ’90s action films also ventures into the forgotten subsequent film failures of the far-from-invincible men stars, guiding readers to films to avoid or to reevaluate.
An intelligent and vital look at women in rock audiences. All Springsteen fans will likely enjoy this, but it also deserves serious consideration from general readers interested in studies of popular music, gender, and fandom.
Fredriksson’s honesty about her often abrasive past behavior, her frustration at being discounted in the men-dominated music industry, and her attempts to find alternative lifesaving treatments makes for an engaging read. Most poignant is her vulnerability as she opens her closets and photo albums that showcase a life well lived.
Neither an excoriation of the sex industry nor a reclamation of it as a source of empowerment, this memoir adds a needed complexity to the conversation about both.
Bursting with anecdotes, personal stories, and careful research, this is an important contribution to American theater history. Readers who cannot imagine a life without stage performances will thoroughly enjoy this book.
Readers looking for a behind-the-scenes glimpse at the world of television production, as well as those searching for inspiration and motivation to pursue their own dreams, will enjoy this memoir. It’s a great addition to a collection looking to round out its entertainment section.
An appealing read for anyone interested in moviemaking, and an essential for aspiring costumers. Carter’s contributions to Black cinema make this a worthy inclusion in any library collection.
An excellent examination of the current state of on-screen trans representation and its real-life effects. Anderson also offers some insight into the ways gender, sexuality, and race are handled in different media.
While exploring a life in music, this book also outlines trying to fit in, finding and retaining a job, and adjusting to fellow workers, all experiences that many readers may find to be universally relatable.
After this substantive look at Abbey Road beyond the famous zebra-stripe crossing album cover, music mavens might also consider Alistair Lawrence’s Abbey Road and Kenneth Womack’s Solid State.
The author’s love for his subject shines through in this entertaining and edifying reference that would be valuable to theater students and fun reading for lovers of the theater.
Lewis provides a straightforward, candid, and lively account of his more than 60-year-long musical journey that will appeal to general readers and jazz fans.
There aren’t any shocking revelations about the band or its music, but this book, with its insider’s perspective, takes music fanatics on an enjoyable romp through the grunge heyday.
A touching tribute. O’Connor has been the subject of recent and numerous articles, a documentary, and books (including her own), but McCabe’s take is unique in its critical analysis of the media and its attempts to silence and cancel O’Connor.
Use caution when recommending this particular celebrity memoir. It should come with a trigger warning, considering its cover-to-cover instances of abuse, neglect, drug use, violence, and trauma.
No one experimented more with film than Godard in his day. It’s helpful to have this insightful, if sometimes difficult to follow, account of his oeuvre.
Written for an audience both knowledgeable in cult films and fluent in film theory, this title meets a niche need. Readers seeking to learn a little more about films such as The Bird with the Crystal Plumage or Don’t Torture a Duckling might find themselves overwhelmed.
From A (“Ac-Cent-Tchu-Ate the Positive”) to Z (“Zing! Went the Strings of My Heart”), this book will delight lovers of American pop songs. But those who don’t read music will find it hard to follow Suskin’s dissection of melody lines, rhythm accents, and key changes, which makes up half or more of each entry.
While readers studying film will likely devour this book, non-academic readers may find the research portions a bit dry. However, if they push through, they will find its information, and its filmography of every title mentioned throughout the book, worth their effort.
With a wide range of pieces and candid photographs throughout, this work will likely appeal to music fans and readers interested in independent music studios and music history.
A smooth and energetic read about the making of one of Aotearoa’s most prominent drag queens. Recommended for readers who enjoy getting a peek behind-the-scenes of reality television and entertainment culture.
Anachronistic tales throughout and Bellamy’s sometimes overly simplistic lessons and advice take away from the book’s allure. This title is best to give to his fans, especially those who grew up watching him.
Honest and raw, this book serves a slice of an inspiring life that reminds readers to keep trying. Williams’s story will likely appeal to readers interested in music, poetry, literature, or mental health.
The subject matter might appeal only to a limited audience of strict cinephiles, but McEwen’s sentimental devotion is both noteworthy and impressive in this entertaining work.
Some readers will enjoy the author’s free-ranging, exuberant style. For others, there are more traditional treatments of Beethoven in books such as Beethoven: Anguish and Triumph by Jan Swafford and Beethoven: The Man Revealed by John Suchet.
Barber knew everybody in his milieu, and this book reflects that. Scholars will devour this exceptional study, but any music lover will benefit from reading it.
Spiced with fascinating stories, this book provides a valuable personal insight into the heyday of ’80s electropop that will appeal to general readers.