Bursting with anecdotes, personal stories, and careful research, this is an important contribution to American theater history. Readers who cannot imagine a life without stage performances will thoroughly enjoy this book.
Readers looking for a behind-the-scenes glimpse at the world of television production, as well as those searching for inspiration and motivation to pursue their own dreams, will enjoy this memoir. It’s a great addition to a collection looking to round out its entertainment section.
An appealing read for anyone interested in moviemaking, and an essential for aspiring costumers. Carter’s contributions to Black cinema make this a worthy inclusion in any library collection.
An excellent examination of the current state of on-screen trans representation and its real-life effects. Anderson also offers some insight into the ways gender, sexuality, and race are handled in different media.
While exploring a life in music, this book also outlines trying to fit in, finding and retaining a job, and adjusting to fellow workers, all experiences that many readers may find to be universally relatable.
After this substantive look at Abbey Road beyond the famous zebra-stripe crossing album cover, music mavens might also consider Alistair Lawrence’s Abbey Road and Kenneth Womack’s Solid State.
The author’s love for his subject shines through in this entertaining and edifying reference that would be valuable to theater students and fun reading for lovers of the theater.
Lewis provides a straightforward, candid, and lively account of his more than 60-year-long musical journey that will appeal to general readers and jazz fans.
There aren’t any shocking revelations about the band or its music, but this book, with its insider’s perspective, takes music fanatics on an enjoyable romp through the grunge heyday.
A touching tribute. O’Connor has been the subject of recent and numerous articles, a documentary, and books (including her own), but McCabe’s take is unique in its critical analysis of the media and its attempts to silence and cancel O’Connor.
Use caution when recommending this particular celebrity memoir. It should come with a trigger warning, considering its cover-to-cover instances of abuse, neglect, drug use, violence, and trauma.
No one experimented more with film than Godard in his day. It’s helpful to have this insightful, if sometimes difficult to follow, account of his oeuvre.
Written for an audience both knowledgeable in cult films and fluent in film theory, this title meets a niche need. Readers seeking to learn a little more about films such as The Bird with the Crystal Plumage or Don’t Torture a Duckling might find themselves overwhelmed.
From A (“Ac-Cent-Tchu-Ate the Positive”) to Z (“Zing! Went the Strings of My Heart”), this book will delight lovers of American pop songs. But those who don’t read music will find it hard to follow Suskin’s dissection of melody lines, rhythm accents, and key changes, which makes up half or more of each entry.
While readers studying film will likely devour this book, non-academic readers may find the research portions a bit dry. However, if they push through, they will find its information, and its filmography of every title mentioned throughout the book, worth their effort.
With a wide range of pieces and candid photographs throughout, this work will likely appeal to music fans and readers interested in independent music studios and music history.
A smooth and energetic read about the making of one of Aotearoa’s most prominent drag queens. Recommended for readers who enjoy getting a peek behind-the-scenes of reality television and entertainment culture.
Anachronistic tales throughout and Bellamy’s sometimes overly simplistic lessons and advice take away from the book’s allure. This title is best to give to his fans, especially those who grew up watching him.
Honest and raw, this book serves a slice of an inspiring life that reminds readers to keep trying. Williams’s story will likely appeal to readers interested in music, poetry, literature, or mental health.
The subject matter might appeal only to a limited audience of strict cinephiles, but McEwen’s sentimental devotion is both noteworthy and impressive in this entertaining work.
Some readers will enjoy the author’s free-ranging, exuberant style. For others, there are more traditional treatments of Beethoven in books such as Beethoven: Anguish and Triumph by Jan Swafford and Beethoven: The Man Revealed by John Suchet.
Barber knew everybody in his milieu, and this book reflects that. Scholars will devour this exceptional study, but any music lover will benefit from reading it.
Spiced with fascinating stories, this book provides a valuable personal insight into the heyday of ’80s electropop that will appeal to general readers.
For fans of The Dark Side of the Moon, this book is especially welcome. Those not familiar with Pink Floyd or this particular venture will still likely appreciate the well-researched and swiftly flowing tale that combines musical intricacies with cultural context.
The bulk of the book is comprised of a detailed catalogue of 1,880 soundies, their production and casting notes, and more. Very much a specialty book best suited for music aficionados, not general readers.
With so many overlapping narratives and meanderings, this crowdsourced mélange lacks a throughline to the main man. However, it will send Russell’s fans to their hi-fis to give his music another listen.
Despite McCormick’s engaging performance, this dense book may bog some listeners down. An enlightening addition to music history and Black history collections, although the print edition better reveals the breadth of Gaddy’s research.
Full-cast audio is an excellent way to experience Shakespeare as the author intended, and this well-produced version will please both fans and listeners new to the play. Highly recommended for all audio collections.
This audio will appeal to listeners seeking a thought-provoking analysis and social critique of pop culture paragons from Sailor Moon to Spider-Man. Recommended for fans of media meets memoir that is well researched but relatable.
Narrator Steven Crossley elevates the book with his excellent reading, providing personality and a sharp, biting sarcasm appropriate to the material. A foreword by Emma Thompson is voiced by Bonnie Wright, and editor Taylor’s prologue is read by Alfred Enoch. Rickman’s wife, Rima Horton, provides a touching afterword.
The layout and photos in the print version are truly fabulous, but the audiobook is still a key purchase. This charismatic duo slays both on the page and in the recording booth.
The narration of this play is tons of fun. Purchase multiple copies and give patrons an opportunity to relish this outstanding audio that brings two original pop icons to life.
While listeners won’t necessarily agree with all of Dylan’s selections, they will likely enjoy learning about both obscure songs and chart-toppers. The all-star narration makes this audiobook shine.
Rap’s dominance in popular culture makes this an excellent addition to any library celebrating music, but it is especially important for libraries in the Southeastern United States, a region whose cultural and musical accomplishments, particularly those by Black artists, are sometimes overlooked.
This engaging memoir will appeal to listeners interested in entertainment-industry memoirs and more specifically, Asian American women navigating Hollywood and fame.
The book is stellar as a filmography, but, due to its heavy reliance on IMDb and other internet sources, fans of Windsor may find few new details about the star’s personal life.