This memoir is an honest account of the transition from Hollywood to adult film actress. The explicit details provided and style of writing may limit its audience.
While Britt’s insightful and entertaining history may not take fans where no one has gone before (considering there have been decades of books written about the expansive Star Trek franchise), he still offers a fun ride that few fans will be able to resist.
White’s scholarly take on Hollywood’s infatuation with kung fu offers multiple entry points for readers, from film historians to sociologists. Action film fans will come away with a deeper appreciation of these films, and an expanded watch list.
Though sometimes obsessed with Scott’s debauchery, Fink delivers a page-turning account of the complicated character and significant contributions of Bon Scott that metalheads will devour.
Rozzo documents a roller-coaster ride of big ideas, big failures, lasting successes, and lost projects. Recommended for anyone interested in the culture of the 1960s.
Readers looking for a musical biography of Liszt will find here instead an excursion through European culture of the 19th century and earlier. Roberts’s accessible style reads like a conversation with his erudite friends
Much like Isacoff’s previous books, this is a sprawling narrative, intertwining history, politics, and musical biography, that’s as entertaining as it is informative. Whether readers are dedicated musicologists or casual fans, they’ll enjoy this thought-provoking dive into the history of Western music.
Black’s own relevant musical experience, alongside his interviews with White, his family, and country music icons such as Marty Stuart, make this biography a must-read for bluegrass aficionados. Although White may not be a household name to those outside the bluegrass scene, he richly deserves this long-awaited tribute.
Though not for newcomers to Dylan’s work, this is a valuable resource for Dylan experts and researchers producing content for future biographies and scholarship.
In an industry famous for self-congratulation Schwartzel takes viewers behind the silver screen to reveal a reality where revenues trump values and artistic choices take a back seat to political pressures. A must-read for anyone influenced by media in general and film in particular. And that means all of us.
Dylan fans, and they are legion, will appreciate the backstory and long history that influenced the style, structure, and content of one of his most powerful songs.
Bingham convincingly argues that listeners cannot disconnect “My Old Kentucky Home” from its fraught and dishonest history and that the only way forward is to stop performing it altogether. Readers familiar with the song will get the most out of this book, as will anyone with a deep interest in the intersections of music and history.
A thorough and sometimes surprising lens into how Irish music in the U.S. came to be codified and understood. For Irish music historians and ethnomusicologists, and scholars of the Irish immigrant experience.
Though they’re sometimes repetitive, Johnston and Simmons ably and vividly recount the Doobie Brothers’ hard-working, highly successful 50-year career. Their account will appeal to fans of ’70s rock.
Though at times the text pulls readers away from Wilson, at other times, Wilson feels as though he’s the center of the universe. For readers ready to spend the time and take this trip with Morley, it is worth it.
Highlighting the cultural moments surrounding Reeves, as well as some of the acting choices that have made him such an intriguing performer over the years, this is a solid addition to any library’s pop culture collection.
Supplementing previous works, such as Michael Azerrad’s Our Band Could Be Your Life and Steven Blush’s American Hardcore, with new in-depth interviews, Ruland expertly conveys the importance of SST to the rise of hardcore and indie rock and the challenges faced by a small label in the cutthroat corporate music industry. Rock fans will be fascinated.
While Cantor relies heavily on previously published interviews, he does provide fresh insights from Miller’s professional acquaintances, and the result is an honest, cautionary tale about a troubled musician gone too soon.
A thorough and intriguing history made no less appealing by its length. For pop music historians and fans, particularly of Canadian bands from 2000 to 2005, whether they know it or not.
Butler has produced an essential study of this hugely influential theory and practice of American acting. This work should be in every collection of books on theater and film.
This decade will mark the centenaries of Buster Keaton’s most celebrated features, and Curtis has assembled a biography that will be a go-to source for fans both old and new during the centenary celebration and beyond.
Though mired in minutiae and scholarly lingo, Reali’s work successfully shatters misconceptions about soul music and an identifiable Shoals sound and will appeal to academics and music aficionados.
Hip-hop and Biggie fans will appreciate the book’s context of his rise to fame and the reminiscences of those closest to him. [See interview, p. 73, and Editors’ Picks, p. 24.]
Examining Dilla’s posthumous legacy in detail, Charnas asserts that the once best-kept secret in music is now a recognized trailblazer. A must-read for those interested in music history and in Dilla.
Mosesson’s poignant demonstration of the tragic costs of superstardom for an introverted, highly creative, anxiety-ridden young man will resonate with anyone interested in popular culture. Highly recommended.
Highly recommended. Beyond the insightful main text, horror fans will find the supplementary material an incredibly useful way to find movies by convention (e.g., “Road Trip Gone Wrong”).
This thorough work will appeal not only to fans of the Sisters of Mercy but also to readers interested in English popular music and 1980s post-punk music history.
Fans of the popular but often under-appreciated genre of romantic comedy will appreciate Meslow’s book, which offers insight on the development of landmark films and how some of Hollywood’s biggest names launched their careers.
Fans of classical music will enjoy reading about one of the most important cultural events of the 20th century, while students of history will appreciate this account of a pivotal moment in U.S.-China relations.
Chronicling Black contributions to film in the United States, this is an engaging, well-crafted work that will appeal to pop culture fans, film geeks, history buffs, and academics.
Walter’s useful introduction to Wagner’s masterpiece breaks down the epic opera’s plot, musical motifs, and poetic structure into digestible pieces of information; ideal for readers with any amount of previous knowledge of the Ring cycle.
Fernando brilliantly reconstructs the Wu-Tang story and, in the process, sketches a concise history of hip-hop and illuminates the challenges the group members encountered growing up. Whether readers are long-time Wu-Tang Clan fans or have never listened, they’ll be captivated.
Though sometimes overly detailed, Milkowski’s book is an entertaining, balanced, thoroughly researched, and informative study of the even-tempered saxophone great Michael Brecker; will engage fans of popular music and jazz.
Anyone who has wondered about the background of these iconic covers, and what it’s like working with these musicians, will find much to savor here. Powell reminds readers how closely these images are entwined with the music. Highly recommended for fans of classic rock.
In all, this title makes a valuable contribution to the ever-expanding universe of works addressing science and music, two seemingly disparate fields that have surprisingly much in common.
Much like a Merchant Ivory film, this memoir is filled with lush detail, enchanting stories, and memorable characters that will thrill fans both of Merchant’s movies and of film and culture in general.
Although focused on film, this exciting, well-researched work crosses multidisciplinary boundaries and will be of value to those interested in cinema, gender studies, propaganda, history, and political science. Recommended for academic libraries.
Brownstein spends much more time on the years before 1974 than actual events occurring that year, and much of the content is repetitive, but there are interesting backstories that fans of television history will enjoy.
Band’s prolific body of work, along with his ability to anticipate the newest and best ways to promote his films, ensures that his multigenerational fan base will be clamoring for this book. A wildly entertaining read.