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A sensitively narrated account, providing a window into the toll addiction takes and how it is possible to come out on the other side. Listeners will connect to Hoppe’s story of simultaneously longing for and losing control.
Whether exposing his favorite guilty-pleasure Little Debbie treat or the meals he won’t ever return to, Brown writes like he cooks (and judges cooking competitions), with confidence punched up with a shake of the curmudgeon and an extra dash of comedy.
Santopietro has amassed a large amount of research and interviews into a compelling and flowing narrative, while photos with fashion commentary by designer Banks enlighten the text.
Reporting about outsider art is usually told from a third-person perspective, often ending up clinical, cold, and distant. This book’s first-person narrative skillfully avoids this, as the author’s discoveries about himself go hand-in-hand with discoveries about his uncle.
This book glides through the complex, networked entanglements of power that are the infrastructure of our existence in space and time among computational devices designed to foster certain types of belonging.
An introspective examination of the biographer’s craft that interrogates how a Marshall’s vocation has shaped her memories of the past. A writer’s memoir for those who enjoyed Colm Tóibín’s A Guest at the Feast.
Assured and succinct, Driskell articulates a personal philosophy of life that, while tending toward pessimism, might still envision “the thought that everything / will be okay wrestling down / the thought that it won’t.”