Beneath the 50-odd lyric poems in Wheeler’s sixth collection (after
Radioland) runs a linguistic mycelium—a thin, ruminative subtext inhabiting the footer of each page like a source of energy and creative nourishment (“memory’s witchery”) from which the poems, like mushrooms, rise into passionate expressions of the personal “histories and futures always / present, all at once” haunting the poet’s psyche. The mushroom stands as the poet’s sigil, symbol of life’s tendency toward random, prolific change (“what futures / each mushroom lifts into being”), representing a universe that “blazes with chances.” Triggered by a beloved mother’s passing, Wheeler recounts the intimacies, failings, and abuses (a father as “mean as dirt”) of familial life with edged, yet artful, candor (“I’m my mother, / shopping for potions to clear the fury up.”).
VERDICT While Wheeler’s technical skill and inventiveness, particularly her ability to write what seem like two poems at once, are salient, they never upstage the urgency inherent in her subject matter: the complex interplay between the raw, lived experiences of ordinary life and the uncertain, unknowable forces--he mycelium--that generate those experiences.
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