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This follow-up has a humor and affection for the characters in a story with just the right amount of domestic tension but will still be a balm to readers.
A believable, timely, edge-of-one’s-seat thriller involving climate change and a virus. Whenever Letty Davenport is involved (as in previous outing Dark Angel), it’s disaster on a grand scale.
Lytle, who has written for Netflix and Peacock, uses her screenwriting skills to map out a debut novel that could double as a television series. Add this to the recent crop of “creepy girl” novels. It will appeal to readers who enjoyed Emma Cline’s The Guest.
Set against the stunning backdrop of the Cornish coastline, Toon’s (Only Love Can Hurt Like This) atmospheric romance, full of longing, mourning, and growing up, will appeal to fans of slow-burn novels.