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Despite the poet’s tendency to overstuff some poems, he has a distinctive voice adept at capturing the moment: about a tattoo session, he says, “I watched the needle in the mirror stitch / my mirrored skin like softly oozing silk.” The best poems change and evolve, working that synergy between brain and heart and a loved other (“I am sorry. And the child // we declined /// shivers on the long black lawn”). A worthy addition to most collections.