Moreno-Garcia (The Daughter of Doctor Moreau) has written a love letter to Mexico City’s film industry and an excellent entry into the popular horror subgenre of occult films. Suggest to fans of The Shoemaker’s Magician by Cynthia Pelayo, Experimental Film by Gemma Files, and The Remaking by Clay McLeod Chapman.
Two-time Hugo finalist Tingle (Straight) has a huge cult following, and his brilliant mainstream debut does not disappoint. Suggest to fans of authors such as V. Castro and Hailey Piper, who take well-worn tropes and explore them through marginalized perspectives, creating something breathtaking and wholly new.
Yet another not-to-miss release by the popular and critically acclaimed Tremblay (The Pallbearers Club), showcasing a discomfort that is reminiscent of Shirley Jackson but still new and thought-provoking.
This book can be enjoyed from cover to cover or as a choose-your-own spooky adventure; either way, it will entice all who encounter it to seek out more horror. Libraries should consider having a reference and a circulating copy and may want to make extra copies of the reading checklist in the back to hand out.
The many fans of The Hacienda will be eager for Cañas’s second novel, which will also thrill and chill readers who’d enjoy a mash-up of Alma Katsu’s historical horror, Andy Davidson’s In the Valley of the Sun, and Jane Austen’s Pride and Prejudice.
Chapman (Ghost Eaters) is becoming a not-to-miss horror novelist. Suggest this one to a varied audience of fans who enjoy intense psychological tales like Paul Tremblay’s The Pallbearers Club, body horror like Ahmed Saadawi’s Frankenstein in Baghdad, and parental horror like Zoje Stage’s Baby Teeth; don’t forget fans of the pulp classic “Clickers” series, originated by J.F. Gonzalez.
American Book Award winner Due (The Wishing Pool and Other Stories) has written a masterpiece of fiction whose fear actively surrounds its readers, while the novel speaks to all situations where injustice occurs and compels its audience to act. For fans of The Nickel Boys by Colson Whitehead, The Trees by Percival Everett, and The Only Good Indians by Stephen Graham Jones.
A historical tale of psychological horror, expertly rendered in the style of a classic gothic novel from the era in which it’s set, this small-press title can be confidently suggested to readers who enjoyed Charlotte Brontë’s Jane Eyre, Molly Pohlig’s The Unsuitable, or anything by Jennifer McMahon.
LaRocca (They Were Here Before Us) has seen viral success with their shorter works, but their first full-length novel demonstrates their growth as a writer. A perfect example of how writers from historically marginalized communities, like Hailey Piper, R.J. Joseph, and V. Castro, are actively mining the horror of their personal experiences to create terrifying, original, and emotionally resonant works that speak loudly to readers.