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All music aficionados, not just Fleetwood Mac fans, will appreciate this traversal of an iconic group’s output and influence. It’s a fine encyclopedic complement to Mark Blake’s Dreams.
Little has been available heretofore about Crouch other than his 1974 autobiography Through It All, so Darden and Newby are to be commended for this title, likely to become the definitive exploration of this influential artist.
The combination of meticulous research and fluent writing makes this title important for anyone interested in Doc Watson or the evolution of old-time, traditional, and folk music over the past 90 years.
Recommended for scholars possessing the requisite musical background and for sophisticated readers interested in the relationship of the arts to the human condition.
Caplan highlights a treasure trove of vocalists and creators in this magisterial work that will prove immensely rewarding to serious opera scholars and those studying race relations and sociology in the 20th-century United States.
Other than Perkins’s own 1996 autobiography, little has been published about him, and Apter admirably fills the gap with this detailed and emotionally charged biography.
Sawyers’s command of her subject and fluent style help her integrate various disparate elements into a convincing whole. This is a valuable sociological addition to the ever-growing Springsteen bookshelf.