Graphic Novels

Comics have long been a part of the fabric of the library, but it wasn’t until the early 2000s that they really started booming, said Robin Brenner, teen librarian, Brookline, P.L., MA, addressing a rapt audience at the very first “Graphic Novels & Comics Round Table (GNCRT) President’s Program—State of the Comics Union: Past, Present, Future,” held June 23 at the ALA Annual conference in Washington, DC.

In the 1970s, the celebrated cartoonist and tireless comics advocate Will Eisner (1917–2005) stood before the Library of Congress and asked that comics be shelved in the library, believing its acceptance of the medium would lead libraries across America to follow suit. Some 20 years later, in 1997, DC Comics became the first comics publisher to exhibit at the American Library Association (ALA) Annual conference.

Like W.E.B. Du Bois’s fictional megascope—an instrument that allows users to see forgotten aspects of history—John Jennings’s new Megascope line, launching this fall as a subimprint of Abrams’s ComicArts, will delve into the past and future, reviving classic stories primarily by creators of color.

Comics continue redefining boundaries, tackling complex social issues, and educating readers, even as they entertain.