Michael Pucci

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PREMIUM

Winter Counts

Weiden’s series launch sheds much-needed light on the legal and societal barriers facing Native Americans while also delivering a suspenseful thriller that builds to a bloody climax. A worthy addition to the burgeoning canon of indigenous literature. [See Prepub Alert, 1/29/20.]
PREMIUM

Breathing Through the Wound

As in A Million Drops, del Árbol proves he’s adept at creating richly drawn characters and weaving their disparate stories, building to a shattering, violent climax.
PREMIUM

A Shadow Intelligence

Recommended for fans of Olen Steinhauer’s spy novels and Terry Hayes’s I Am Pilgrim.
PREMIUM

Death in Her Hands

This doesn’t register quite as indelibly as Moshfegh’s earlier novels, as Vesta is not as compelling as Eileen’s title heroine or the unnamed protagonist of My Year of Rest and Relaxation. Still, recommended for fans of the author, as well as Iain Reid’s I’m Thinking of Ending Things.

PREMIUM

Winter Grave

A solid purchase for collections in which Nordic noir circulates regularly, though Tursten’s novels aren’t nearly as bleak or as humorless as others in the genre. [See Prepub Alert, 6/3/19.]
PREMIUM

The Memory Police

This vague but haunting dystopia draws overt inspiration from classic surveillance-state novels such as 1984 and Fahrenheit 451, as well as The Diary of Anne Frank, but its quiet horror and magical realism most recalls Han Kang’s The Vegetarian.
PREMIUM

The Need

Is this literary work a story of magical realism, a straight-up horror novel featuring home invaders and shadow-selves, or a product of Molly’s exhausted imagination? Of course, it’s all of the above and makes for an unforgettable—and polarizing
PREMIUM

Theme Music

There's a character in this engaging but somewhat repetitive debut who talks about a "blood bucket," the amount of violence one can take before it tips over. For fans of A.J. Finn's The Woman in the Window with sufficiently large buckets, this twist-filled story will be mostly eagerly welcomed.
PREMIUM

Theme Music

There’s a character in this engaging but somewhat repetitive debut who talks about a “blood bucket,” the amount of violence one can take before it tips over. For fans of A.J. Finn’s The Woman in the Window with sufficiently large buckets, this twist-filled story will be mostly eagerly welcomed.

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