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Just A Minor ThreatApril 8, 2009I have to issue an early mea culpa. In the newest Music for the Masses column, Hardcore: Wild in the Streets (LJ 4/1), there are nine essential albums listed in the discography section. And not one of them was Minor Threat. Trust me, I recognize how important Minor Threat was, and is, both in terms of the history and continuing development of hardcore music. The band helped shape the tone and shape and velocity of the music in early singles like "Minor Threat," popularized the Straight Edge movment, and fostered the Washington, DC, scene with the Dischord Records label and the Flex Your Head compilation. Minor Threat, along with Bad Brains and Black Flag, could be considered the three most important forefathers of the genre. Posted by Matthew Moyer on April 8, 2009 | Comments (8) Industries: Audio Reviews
April 9, 2009
In response to: Just A Minor Threat Scott commented: You did an excellent job describing the style and its background, and you did an admirable job compiling your list (and I hear you about the difficulties involved when one has to stick to things reissued on CD). However, while I understand that these things are highly subjective, I don't think even the most broad-minded hardcore fans would consider certain enteries (Descendents, Ries of Spring, Bad Religion (at least "
April 9, 2009
In response to: Just A Minor Threat Scott commented: Sorry - comment got cut off somehow. Here's the rest:
April 10, 2009
In response to: Just A Minor Threat Matthew Moyer commented: Thanks for commiserating, I appreciate it. I think it all depends on which hardcore fans you talked to on a given day - those four bands definitely hewed closely enough to hardcore's sonic template, shared much the same audience, or have enough historical/critical association with hardcore to merit inclusion. If nothing else, they're good examples of the mutations that developed within the genre.
April 13, 2009
In response to: Just A Minor Threat Scott commented: A lot of it is also that what was considered hardcore at the time & what is considered hardcore in retrospect differ at points. The only one you could really make a definitive argument against is Rites of Spring, since they were a "Revolution Summer" band and were therefore consciously anti-hardcore (although all the more reason to have them on the list, I guess). They are also handy in that you can nicely tell your curious younger patrons that, yes, they were the first emo band, and no, it's not really debatable, even if your friends did say it was My Chemical Romance ;).
April 16, 2009
In response to: Just A Minor Threat Matthew Moyer commented: Your first point is excellent. Your second point, regarding Rites of Spring and the origins of emo, is GENIUS.
April 16, 2009
In response to: Just A Minor Threat liz a in madison commented: can't BELIEVE I'm reading this at work... on work time! I met my husband at the record store... I was the manager, he the pizza delivery guy with a brother that worked for me. When we first met he was totally into death metal, and punk (!) then lost the death metal for punk only in his late teens.
April 30, 2009
In response to: Just A Minor Threat sharon commented: I have a friend who does an internet radio show with interviews once a month, the next one features East Bay Ray from Dead Kennedys. He talks about his experiences, musical influences, and his latest solo project. I won't post the advert here, but let me know if you'd like the dates/times/url. Last one was John Bonnar from Dead Can Dance, and it was fascinating.
May 8, 2009
In response to: Just A Minor Threat Matthew Moyer commented: No, it sounds great! Please go ahead and post the when and where as a comment. A Dead Can Dance interview too... very nice.
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