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With the high-definition format still gaining ground, is it time for libraries to take the plunge?

By Jeff T. Dick -- Library Journal, 11/15/2009

It's been over a year since Blu-ray defeated HD-DVD in the battle of high-definition discs. Despite the economic crunch, Blu-ray is continuing to gain momentum in the consumer and library markets.

It is seeing broader adoption owing to several factors. First, Blu-ray's sound and picture quality, storage, and interactivity capabilities are superior to those of standard DVDs. Second, costs have dropped for both Blu-ray players (a basic model now sells for as little as $150) and discs: the average retail price of new Blu-ray releases fell 12 percent to $23.47 from July 2008 to July 2009, while catalog titles fell 33 percent to $17.23, reports Video Business. Finally, several major film studios have recently begun selling two-for-the-price-of-one Blu-ray/standard DVD “combo packs.” (See “Books Born Digital,” LJ 5/15/09, p. 26–28.)

According to an April 2009 Harris Interactive poll, seven percent of U.S. adults own a Blu-ray player, and another nine percent own a PlayStation 3 video game console, which includes a Blu-ray player. And, as a survey of LJXpress subscribers conducted by LJ and Video Business in that same month attests, some libraries are tentatively following suit.

The survey, which drew 204 responses from public libraries/library systems and 92 academic libraries, showed that 12 percent of public libraries and 11 percent of academic libraries currently circulate Blu-ray discs—up from three percent and two percent, respectively, in 2008. Of those not currently carrying Blu-ray, 48 percent expect “definitely” and 85 percent expect “probably” to add Blu-ray to their collections.

While the economic crisis has hindered mass adoption of the format, and the growing popularity and quality of video-on-demand and web downloads suggest Blu-ray may never enjoy the penetration of standard DVDs, some market indicators point to Blu-ray discs shortly superseding standard DVDs as standard DVDs once superseded VHS tapes.

An October 2009 study by Futuresource Consulting, for one, predicts that by 2010 Blu-ray adoption will surpass standard DVD adoption at the same five-year point in their life cycle by nearly two percent and that by 2013 adoption of Blu-ray will rise to 67.8 percent.

For libraries still slow to give up VHS, the transition to yet another format may seem daunting and—depending on patron interest and the questionable long-term viability of Blu-ray—may not even be necessary for many libraries. But reports from a selection of libraries that have adopted the format are encouraging and address concerns worth exploring.

The early adopter

Manchester Public Library (MPL), CT, first added Blu-ray discs to its collection of standard DVDs in 2007. “It seemed to make sense when people were buying high-def TVs and disc players from the big-box stores,” says Director Douglas McDonough. “We knew local residents were going to want [Blu-ray] content, and at the time they couldn't rent the discs from local video stores.” The library purchased 450 Blu-ray discs in the first year and has bought some 150 additional titles since. (Its collection of standard DVDs is currently 12,000 titles.)

Not waiting for the outcome of the high-definition format battle, MPL simultaneously invested in 120 HD-DVDs. Thanks in part to compatibility with Microsoft's Xbox 360 video game consoles, those titles still circulate well enough to justify maintaining, even with shelf space at a premium.

As increasingly more titles became available on Blu-ray, McDonough says, “our assumption was that patrons would want the kinds of films—epics, action, science fiction–type movies—that would leap off their big-screen TVs. [But] it turned out that patrons were willing to watch romantic comedies on Blu-ray, too.” (MPL typically buys one standard-DVD copy and one Blu-ray copy of each major new release.)

Loan limits and checkout periods are the same for Blu-ray discs as for standard DVDs (a maximum of eight titles can be borrowed at once, for a period of up to seven days), and overdue fines are 15¢ per day, regardless of format. The library uses security-stripped locking cases with all its disc software, and no major problems with theft or damage have thus far occurred.

“The biggest problem in the first year was that we had to do original cataloging because so few titles had bibliographic records in OCLC, but that's no longer an issue,” McDonough says. “Other than that, a few people borrowed Blu-ray discs not realizing they wouldn't work in their DVD players, even though we used separate shelves, signage, and red dots on the spines of HD-DVD cases and blue dots on Blu-ray cases.”

Overall, McDonough has found the addition of Blu-ray discs a real boon to the library. “They attract a new client base,” he says, “and they're particularly attractive to twentysomethings.”

The precedent setter

Schaumburg Township District Library (STDL), IL, has been carrying some 200 new-release Blu-ray titles since early 2008. “When I first added them,” says AV services director Judy Napier, “everyone else in the [North Suburban Library] system thought I was nuts because it was way ahead of the curve.”

Napier estimates the Blu-ray titles circulate about 700 times per month—a turn rate of 3.5, compared to new-release titles on DVD, which turn at about six times per month. What's more, she says, Blu-ray circulation rates are growing while DVD circulation rates have leveled off.

Loan periods are the same for Blu-ray discs as for standard DVDs (a maximum of one of each format can be borrowed at once, for a period of up to three days), and overdue fines are 50¢ per day. Because of heightened concern about theft, STDL uses “old-fashioned, big and clunky Kwik cases” for its Blu-ray discs, as well as for its video games. “They're pretty indestructible [and] can't be pried open easily,” Napier says.

Though in Napier's experience Blu-ray discs aren't any more susceptible to damage than standard DVDs, when scratches do occur, she says, there is increased likelihood of playback problems because of the discs' greater data compression. Should patrons report a problem, library staff use an RTI (Recycle/Recovery/Recharge) machine to buff out minor scratches. (See “Nurturing Your Media,” LJ 11/15/08, p. 32–35.)

Napier's biggest concern at this point is space. Blu-ray discs must be shelved separately from standard DVDs to avoid confusion, “and space is already a problem because a lot of libraries are holding onto older AV formats,” she says.

Nevertheless, she says, within the last six months several of the largest public libraries in the suburban Chicago system have also adopted Blu-ray.

The newly converted

Washington Centerville Public Library (WCPL) in Dayton waited for the format dust to settle before venturing into Blu-ray. The library debuted its collection of 1200 discs (including some multiple copies) in March 2009. It has since added 800 more Blu-ray titles alongside its current collection of 29,000 standard DVDs.

“We did some research, as we do periodically when we're considering any new format,” says community relations manager Georgia Mergler. After tracking sales of Blu-ray players, looking into how well Blu-ray discs were circulating in demographically similar libraries in the Columbus area, and taking into consideration what Mergler calls “a healthy amount of patron requests,” they felt the time was right.

WCPL's Blu-ray collection is divided into “express” titles, made up of recent releases, and “general,” or less current, nonfiction and fiction titles. Loan periods and fine amounts are identical for all formats—Blu-ray, standard DVD, and VHS tape—but vary depending on whether the title falls under the category of express (two days; $1 per item per day overdue), fiction (seven days; $1 per), or nonfiction (21 days; 10¢ per).

In six months, Mergler reports, circulation of Blu-ray titles exceeded 26,000 (compared to more than 330,000 for standard DVDs), contributing to a 21 percent increase in circulation for all AV materials over the previous year. Since their introduction, Blu-ray titles have circulated an average of 15.6 times (vs. 21.8 times for standard DVDs).

The library uses signs and brochures to inform patrons about Blu-ray and to point out the discs' incompatibility with standard DVD players. In addition, circulation staff offer reminders.

Usage has shown in WCPL's case that Blu-ray discs tend to come loose more easily from case hubs, causing minor scratches that can be buffed out. Initially, they also proved to be more susceptible to theft, so the library now uses locked cases along with security strips/RFID tags.

WCPL has an operating levy that makes up 57 percent of funding, so the library is less affected by cuts in state support. The money for Blu-ray, says Mergler, “came out of the same pot used for books and other materials.” Still, she says, “we did have some pushback from people who questioned whether this was the best way to use our resources.”

Case not closed

Many of the issues discussed here—e.g., limited shelf space, confusion over format-player compatibility—will no longer be a concern once streaming and downloadable media dominate the market, as they are largely expected to do. But when that will happen, exactly, and whether/how long Blu-ray can coexist with these formats is still unknown.

In the interim, Blu-ray may be the way to go for many more libraries, depending on customer interest and demand. As WCPL's Mergler says, “You have to take a hard look at your community and, to the extent that your library reflects their interests, then that should drive your decision making.” 

 

The Brief on Blu-ray

The Blu-ray optical disc (BD) was introduced by the Sony Corporation in June 2006, three months after the debut of HD-DVD. BD was named for its use of a blue (as opposed to red) laser to read data. The shorter wavelength beam permits increased storage capacity—50 gigabytes on a dual-layer disc vs. less than 10GB on a standard DVD.

Displaying images in 1080p—the “p” signifying progressively scanned pictures as opposed to interlaced scanning—BD also provides the highest resolution HDTV is capable of reproducing. Not only do BD players play standard DVDs, they “upconvert” their picture quality to near-HD quality.

In 2008, HD-DVD was discontinued after certain movie studios quit releasing titles in the format and major retailers stopped stocking players. Electronic industry support quickly consolidated around BD.

The latest generation of BD players (known as Profile 2.0) also offer optional “BD Live” capability, enabling users with broadband Internet connectivity to take part in such interactive features as movie chats, trivia quizzes, and other film-related goodies. Increasingly, film studios today are planning interactive content incorporating BD Live features.

Best on Blu-ray

Thinking of introducing Blu-ray discs to your collection but unsure of where to start? Below are a few titles that make the most of the format's many advantages. For more, see the online version of this article at www.libraryjournal.com.

Baraka. color. 97 min. MPI. 1992. $34.98.

Filmed in 70mm in 24 countries on six continents, this wordless look at the natural world counterpointed with modern civilization offers a stirring rumination on life. Thanks to a state-of-the-art ultra-high-definition mastering process (scanned at 8K resolution rather than the standard 4K), the restored images are virtually flawless and amazingly detailed. This reference-quality disc pushes the envelope of home-viewing capability. Alternate title(s): Only the best IMAX films even come close.

Black Hawk Down. color. 144 min. Sony. 2001. $28.95.

The chaos of battle has never been captured with such immediacy as in this gritty story of the 1993 Somali raid–turned–rescue mission in which 18 U.S. soldiers died. The desaturated color scheme, deep blacks, and shadow detail are reproduced with uncanny accuracy, intensifying viewer involvement in the realistic action. Among the many extras is a “Blu-scape” feature allowing access to supplemental material while watchingthe film. Alternate title: The similarly themed “leave no soldier behind” We Were Soldiers.

Blade Runner: The Final Cut. color. 117 min. Warner. 1982/2007. $39.99.

The amazing visual effects in Ridley Scott's visionary sf film noir receive the painterly rendering they deserve in this revised 25th-anniversary edition. The five-disc set contains the original theatrical cut, European cut, and tenth-anniversary “director's cut,” plus the rarely seen “workprint” version. Numerous making-of featurettes, multiple commentaries, and extensive background material make this a definitive purchase. Alternate title: 2001: A Space Odyssey is still “the ultimate trip.”

Braveheart. color. 177 min. Paramount. 1995. $39.99.

Mel Gibson's magnificent biopic about 13th-century Scottish legend William Wallace feels even more epic in this to-die-for “Sapphire Edition,” which offers incredibly sharp detail, vivid contrast, and exact color. The 5.1-channel Dolby TrueHD soundtrack packs plenty of punch, too. Among the extras unavailable on DVD are interactive time lines, with video, images, text, and audio randomly or linearly accessible. Alternate title: Gladiator, taglined “Blu...echoes in eternity.”

The Dark Knight. color. 152 min. Warner. 2008. $35.99.

The best comic book–to–film adaptation to date, Christopher Nolan's action-packed yet thoughtful masterwork is tailor-made for Blu-ray. Dark films—literally and figuratively—benefit most from the higher contrast ratio high-def provides, and this release delivers in spades. Plus, it's smartly presented, with dual-aspect ratios—2.40:1 for the original 35mm camerawork and 1.78:1 for the higher-resolution action scenes shot in IMAX. Alternate title: Iron Man kicks serious butt.

blu-ray - disney - nature - earthEarth. color. 96 min. Disney. 2009. Blu-ray UPC 7-94051-40012-3. $39.99.
Migrating polar bear, elephant, and hunchback whale families are magnificently captured in their disparate habitats in this stunning nature documentary, adapted from the BBC/Discovery series Planet Earth. For this theatrical release, a more kid-friendly story line and revised narration from James Earl Jones (subbing for David Attenborough) have been added. Alternate title: The original 2007 series, clocking in at 550 minutes, offers the full course in lieu of this worthy appetizer.

the godfather - blu-ray - the coppola restoration - paramountThe Godfather: The Coppola Restoration. color. 549 min. Paramount. 1972/1974/1990. Blu-ray UPC 0-97361-38644-7. $124.99.
Painstakingly restored on 35mm film by noted preservationist Robert Harris before being digitized for video, the first two parts of The Godfather trilogy make the previous DVD releases look like they slept with the fishes. The color is less muted but still accurately reproduces the subtle sepia tone and film grain of the original theatrical prints. A look at the effort to rescue the dilapidated negatives makes for a revelatory extra. Alternate title: Goodfellas? Fuggedaboutit.

how the west was won - blu-ray How the West Was Won. color. 164 min. Warner. 1962. Blu-ray UPC 8-83929-02627-2. $34.99.
The first feature film shot in the ultrapanoramic three-camera Cinerama process, this sprawling epic employed three directors and an all-star cast to tell its episodic pioneer tale. The technically impressive presentation gets a Blu-ray exclusive with the addition of a "smilebox" transfer that reasonably replicates the experience of watching the film on a deeply curved Cinerama screen. Includes a fascinating look at the history of Cinerama. Alternate title: John Ford's The Searchers looks like it was shot yesterday.

the robe - blu-ray - foxThe Robe. color. 135 min. Fox. 1953. Blu-ray UPC 0-24543-57008-0. $34.98.
A scornful Roman tribune (Richard Burton) converts to Christianity after being touched by Christ’s burial cloth. The first movie made in CinemaScope, utilizing anamorphic lenses to squeeze a widescreen image onto standard 35mm film, this moving religious picture benefits from a recent restoration. Exclusively on Blu-ray is the standard-width version designed for theaters not equipped to exhibit 'Scope prints. Alternate title: None until the genre pinnacle Ben-Hur comes to Blu-ray. (See Video NewsBriefs, LJ 5/1/09.)

sleeping beauty - disney - blu-raySleeping Beauty. color. 75 min. Disney. 1959. Blu-ray UPC 7-86936-74688-8. $35.99.
The most expensive animated movie of its time gets restored to its original full-width glory with particularly vivid colors brighter than those seen in most theaters 50 years ago. Unlike the DVD (included as a bonus), the Tchaikovsky-adapted score has more dynamic range thanks to uncompressed sound. For Blu-ray players equipped with the BD Live feature, viewers with broadband Internet access can play trivia games, chat about the movie, and more. Alternate titles: Ratatouille or WALL-E or Up or…

the third man - blu-ray - criterionThe Third Man. b/w. 104 min. Criterion Collection. 1949. Blu-ray UPC 7-15515-03382-4. $39.95.
The way Blu-ray makes colors pop overshadows the more subtle improvement the format brings to older black-and-white films. Case in point: Carol Reed's classic story of romance, deceit, and murder in postwar Vienna gets its already palpable atmosphere heightened by the more pronounced chiaroscuro look of its pervasive night scenes. Alternate title: Any other film—black-and-white or color—from the two dozen Blu-ray titles in connoisseur distributor Criterion's catalog
the wizard of oz - blu-ray - warner - ultimate collector's edition
The Wizard of Oz. b/w & color. 101 min. Warner. 1939. Blu-ray UPC 8-83929-09368-7. $84.99.
Who knew Dorothy had freckles? That's just one of many little revelations in this remastered 70th-anniversary edition of the timeless classic. Besides such hitherto unseen details, the Technicolor lensing looks even more vibrant. The problem for libraries is the "ultimate collector's edition," which includes booklets, crystals, a watch (!), and other memorabilia (but no ruby slippers) unsuitable for circulation. Alternate title: Gone with the Wind, which has comparable packaging issues.



Author Information
Jeff T. Dick, Davenport, IA, reviews foreign and independent films for LJ




 
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