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In the Field

An innovative role puts academic librarians right in the departments they serve

By Brenda L. Johnson & Laurie A. Alexander -- Library Journal, 2/1/2007

Imagine traveling to Angouleme, France, with a faculty member to attend an international comic book festival; spending the night at the villa of R. Crumb (the proclaimed founder of the underground comics movement); and purchasing hard-to-find comics at the first annual convention for small press and minicomics. These are some of the recent adventures of Annette Haines, one of three field librarians at the University of Michigan (UM). As the field librarian in the School of Art and Design, Haines was able to learn firsthand what materials professor Phoebe Gloeckner, a well-known graphic novelist, needed to support her teaching and research. This collaboration, a direct outcome of the unique opportunities created by the Field Librarian Program (FLP), opened up possibilities for student contact that otherwise would have been unlikely.

A couple of years ago, the concept for a field librarian emerged at UM. As the broader academic environment began to experience change, negotiate competing needs, and budget with limited economic resources, we began to search for ways to improve our approach to library services. These changes prompted discussions about how to provide core services without being limited by traditional frameworks. Through a series of focused discussions, we explored how subject specialists might establish more in-depth partnerships with the campus community of scholars.

Immersion creates collegiality

Building on the models provided by Virginia Tech, Stanford, and Washington State, Michigan’s FLP was originally designed to combine subject domain expertise and technology skills with onsite consultation and support for faculty and graduate students within their departments. The idea was to move subject selector activities into the physical space that is home to the faculty and their departments. This model was presented to the Provost’s Office and several academic units as a pilot for better integrating research, learning, and library subject specialists. With funding support from the Provost’s Office, the library approached the School of Art and Design, Women’s Studies Program, and Department of Classical Studies to see if they would participate. All three were intrigued by the idea and signed on. As a result, the library recruited and hired one field librarian for each department. The library hires and pays the field librarians, and the schools provide their space, furniture, computers, and travel support.

In close consultation with the three departments and schools, the library drafted a basic job description that included traditional collection development, participation on library committees, reference service, and instructional initiatives. We put a strong focus on individual faculty needs in the specific context of their disciplines.

Within months of being hired, each field librarian was able to articulate their role within the individual context of their discipline, departmental culture, politics, and academic directions. Their ability to do so was directly linked to their “immersion” in the department. The following was critical to their success: participation of each department in hiring the field librarian, their physical location in the academic unit, and the early work of the field librarians in shaping their role.

As a result, the field librarian was viewed as a colleague rather than as an external liaison. Over time, these position descriptions have evolved and broadened in positive ways that we never conceived or anticipated at the beginning of this initiative. After two years, two of the three field librarians hold faculty titles, and one teaches a “for credit” subject-specific course. In the past, it would have taken years to achieve these departmental inroads. For instance, Beau Case, the field librarian for classical studies, reconceptualized a one-hour seminar introducing first-year graduate students to the subject. This course incorporates training in the use of e-resources and has been well received by the students. Each field librarian has taken a different but equally effective role in their department. The differences reflect the unique needs of each discipline and demonstrate that as we begin to think about service in new ways, we have become more responsive.

Tuned in

How is this program different from a traditional subject specialist, a departmental librarian, or a librarian’s desk located within a department? One of the most interesting observations is that this program confirms the importance of being tuned into and a direct part of the academic community. By shedding “building-bound” behaviors and becoming more connected within academia, the librarian (and library) naturally becomes an active partner. Being in the department has made the field librarians accessible, greatly enhancing lines of communication with faculty. In the natural course of bumping into faculty in the hall, informal relationships ultimately develop into new collegial patterns. Instead of being viewed as collection-bound, the field librarians are regarded as resources and active partners in the department. Unlike departmental librarians, field librarians do not have administrative responsibility for a building or staff. Therefore, they have more time to focus on research, which in turn means more opportunity to interact directly with faculty and graduate students.

The field librarians have demonstrated their commitment to departmental needs by providing a broad array of services, collections, and instruction to the campus in this new capacity. They are not just information providers but rather collaborators in the advancement of scholarship, teaching, and research. The program has captured the imagination and excitement of the departments and schools involved and enabled the library to increase its visibility to the campus in ways we never imagined.

Shared purpose

The FLP has the potential to transform our collective approach to service. It capitalizes on our current strengths while it enables the creation of a climate where faculty and students view librarians in totally new ways. They have become valued colleagues as a result of being seen as an extension of the schools or departments. They are sought out at all stages of the research process and are actively involved. For example, Haines was at her office at the School of Art and Design when an adventurous graduate student with a penchant for the unusual popped in to tell her he wanted to make paper out of chitosan, an element of insect exoskeletons. He needed to find a supplier for this chemical. Haines immediately got on the phone and connected him to the chemical engineering librarian. Together, they located several businesses that could fulfill his artistic needs.

In many ways, the FLP has become one of our most effective public relations tools. It is the library in action. When faculty from other disciplines learn about the program, they inquire as to how they can get a field librarian. We could not have predicted such a positive response.

Next steps

Our traditional approach to outreach has changed dramatically over the past few years, and we expect this pattern to continue. Faculty and students use our services and interact with librarians in new and innovative ways. We are much more aggressive about providing a diverse set of options for users—physical, virtual, and a blending of the two. The FLP has transformed the role of the subject specialist and has encouraged us to move more deliberately toward perpetuating this model across the organization. We are currently exploring whether to add additional field librarians, shift current subject selectors to have more field librarian–esque responsibilities, or add something altogether new. The program has redefined the relationship between subject specialists and academic departments. The library’s role as a partner in the advancement of scholarship, teaching, and research will continue to develop, and this program serves as an inspiration for this ongoing growth.


 

From the Field

Amy M. Robb Field, Librarian for Women’s Studies

One of my major successes has been generating a greater awareness of the importance of class-integrated library instruction. Upon my arrival, faculty told me about their students’ frustration with doing library work and their own hesitation in developing assignments that required outside research. The explicitly collaborative goals of the Field Librarian Program, however, encouraged these same faculty members to take a chance on bibliographic instruction and library tours for their classes. The experience has been transformative for faculty and students alike. Many instructors have come to embrace the pedagogical possibilities of incorporating a discussion about specific library resources within the context of assigning papers or projects. Some now structure assignments that take full advantage of rich or unique library collections. These faculty members comment on the significantly improved quality of the papers and presentations made by students as well as the decreased anxiety and confusion exhibited by students in finding appropriate materials in the library. I mark the success of these initiatives by the growing number of classes that I now see year after year. Students themselves seek me out for individual research help because of the connections made in the classroom setting. They often stop me outside of the library and say, “I remember you. You came to speak to my class. You’re my librarian.”

Annette Haines, Art & Design Field Librarian

Artists know to turn to a librarian for help in finding a book, but few artists would consider asking a librarian to help find materials for art projects. As the art and design field librarian, I am immersed in student and faculty life and have a unique opportunity to educate artists about the librarian as a resource for a wide variety of information. My outreach to artists new to campus, both faculty and students, begins early, and most of my initial conversations focus on the kinds of questions they should feel free to ask me. During orientations and library instruction sessions, I like to emphasize that I embrace the artist’s unusual questions and see that as one of the most enjoyable parts of my job. I quickly developed a reputation for finding the answers to difficult questions, from where to find test tubes to the etymologies of slang words. One of the academic program advisors has even dubbed me “MacGyver,” after the popular television sleuth. Any initial hesitation an artist might feel in approaching me is quickly dispelled once he or she hears success stories from other students and faculty. For example, a class of first-year students met me one afternoon to look at artists’ books. As they approached, they all chanted, in unison, “Hello, Annette Haines, art and design field librarian!” The professor had them rehearse this five times before they came over for this little impromptu performance piece. Very quickly these artists, too, are stopping by my office with myriad questions that are rarely, “Where can I find information about a particular artist?” Owing to the interdisciplinary nature of artists’ research needs, I also serve as a liaison to other libraries and librarians both on and off campus. Artists appreciate having someone to navigate the information world for them, giving them more time to concentrate on their artwork.

Beau David Case, Field Librarian for Classical Studies

My collection development work receives the most attention and praise from my faculty and students. I am seen as the person who can acquire anything from anywhere. Being a field librarian has motivated me to go that proverbial extra mile. I am not content with vendor reports stating “out of print” or with unavailability via secondhand dealers. For example, on several occasions I have telephoned university secretaries and scholars in Europe in an attempt to locate books and papers, whether they are in a musty basement in Scotland or in a posh apartment in Berlin. Being a field librarian also has brought me closer to the faculty and students, making casual conversation around the department halls possible. Even then, collection issues can arise. For example, one student told me how he planned, during his European vacation, to visit libraries holding certain Greek manuscripts essential to his dissertation. I told him that I could arrange to purchase microfilm or digital copies of those manuscripts, saving him the time and expense of travel. Furthermore, I have been able to build our collections with the help of our archaeologists who travel the globe on their digs. This year alone, they have been able to bring back, and have been reimbursed for, difficult-to-obtain publications from Armenia, Portugal, and Russia, all vital to their research and all complementing our archaeological collections. Indeed, the sky’s the limit—and even that might be within reach, according to my users.


Author Information
Brenda L. Johnson is Interim Co-University Librarian and Associate University Librarian for Public Services, University Library, and Laurie A. Alexander is Assistant to the University Librarian, both University of Michigan, Ann Arbor
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